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The Déportrait series is a collection of NFT clips made with images (mainly portraits and self-portraits) borrowed from historical works of art, photography and mass media. The images undergo a process of gradual pixelation, transforming them into video clips (put simply, “pixelation” is a computer graphics technique that makes it possible to enlarge the individual pixels that comprise a digital image). The déportraits are inspired in some ways by décollage, the latter being the opposite of collage: instead of creating an image starting from fragments of other images, a new image is created by removing parts or layers of an already existing one (examples of décollage are the ripped posters by artists like Mimmo Rotella, Wolf Vostell and Raymond Hains). In both cases, in the “shredded” image of a décollage and in the pixelated portrait of a déportrait, the artist proceeds by removal, working via subtraction. The result is the transformation of an integral, recognizable original into something bare, not finished, abstract, and fragmentary. The audio of the video clips is a short track created by using glitch/noise music as a base. Each clip is 10 seconds long and has an aspect ratio of 9:16.

Deportraits collection image

The Déportrait series is a collection of NFT clips made with images (mainly portraits and self-portraits) borrowed from historical works of art, photography and mass media. The images undergo a process of gradual pixelation, transforming them into video clips. The déportraits are inspired in some ways by décollage, the latter being the opposite of collage: instead of creating an image starting from fragments of other images, a new image is created by removing parts or layers of an already existing one (examples of décollage are the ripped posters by artists like Raymond Hains). In both cases, in the “shredded” image of a décollage and in the pixelated portrait of a déportrait, the artist proceeds by removal, working via subtraction. The result is the transformation of an integral, recognizable original into something bare, not finished, abstract, and fragmentary. The audio of the video clips is a short track created by using glitch/noise music as a base.

カテゴリー Art
コントラクトのアドレス0x2953...4963
トークン ID
トークン標準ERC-1155
チェーンPolygon
メタデータ集中
最終更新日1年間前
クリエイター収益
2.5%

Egon Schiele (Self-Portrait) | Déportrait № 169

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8 閲覧回数
  • 価格
    米ドル価格
    数量
    有効期限
    送信元
  • 価格
    米ドル価格
    数量
    最低価格差
    有効期限
    送信元
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開始日
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日付

Egon Schiele (Self-Portrait) | Déportrait № 169

visibility
8 閲覧回数
  • 価格
    米ドル価格
    数量
    有効期限
    送信元
  • 価格
    米ドル価格
    数量
    最低価格差
    有効期限
    送信元

The Déportrait series is a collection of NFT clips made with images (mainly portraits and self-portraits) borrowed from historical works of art, photography and mass media. The images undergo a process of gradual pixelation, transforming them into video clips (put simply, “pixelation” is a computer graphics technique that makes it possible to enlarge the individual pixels that comprise a digital image). The déportraits are inspired in some ways by décollage, the latter being the opposite of collage: instead of creating an image starting from fragments of other images, a new image is created by removing parts or layers of an already existing one (examples of décollage are the ripped posters by artists like Mimmo Rotella, Wolf Vostell and Raymond Hains). In both cases, in the “shredded” image of a décollage and in the pixelated portrait of a déportrait, the artist proceeds by removal, working via subtraction. The result is the transformation of an integral, recognizable original into something bare, not finished, abstract, and fragmentary. The audio of the video clips is a short track created by using glitch/noise music as a base. Each clip is 10 seconds long and has an aspect ratio of 9:16.

Deportraits collection image

The Déportrait series is a collection of NFT clips made with images (mainly portraits and self-portraits) borrowed from historical works of art, photography and mass media. The images undergo a process of gradual pixelation, transforming them into video clips. The déportraits are inspired in some ways by décollage, the latter being the opposite of collage: instead of creating an image starting from fragments of other images, a new image is created by removing parts or layers of an already existing one (examples of décollage are the ripped posters by artists like Raymond Hains). In both cases, in the “shredded” image of a décollage and in the pixelated portrait of a déportrait, the artist proceeds by removal, working via subtraction. The result is the transformation of an integral, recognizable original into something bare, not finished, abstract, and fragmentary. The audio of the video clips is a short track created by using glitch/noise music as a base.

カテゴリー Art
コントラクトのアドレス0x2953...4963
トークン ID
トークン標準ERC-1155
チェーンPolygon
メタデータ集中
最終更新日1年間前
クリエイター収益
2.5%
keyboard_arrow_down
イベント
価格
開始日
終了日
日付