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In my third series, i'm going to take a look at games that hold their assets on-chain, but where the majority of their gameplay is held server-side off-chain. This first piece represents Axie Infinity, and its decision to move away from Ethereum for its battle features. I really like this one, it's also my first attempt at shoddy animation! no. 17/20

Pranksy collection image

Having spent years in the world of dapps, nfts and tokenised art, Pranksy offers a unique creative perspective of the technological revolution of the blockchain.

カテゎリヌ PFPs
コントラクトのアドレス0xc563...aa8a
トヌクン ID
トヌクン暙準ERC-721
チェヌンEthereum
メタデヌタ集䞭
クリ゚むタヌ収益
5%

floating off-chain 17/20

visibility
142 閲芧回数
  • 䟡栌
    米ドル䟡栌
    数量
    有効期限
    送信元
  • 䟡栌
    米ドル䟡栌
    数量
    最䜎䟡栌差
    有効期限
    送信元
keyboard_arrow_down
  • 販売
  • 転送
むベント
䟡栌
開始日
終了日
日付

floating off-chain 17/20

visibility
142 閲芧回数
  • 䟡栌
    米ドル䟡栌
    数量
    有効期限
    送信元
  • 䟡栌
    米ドル䟡栌
    数量
    最䜎䟡栌差
    有効期限
    送信元

In my third series, i'm going to take a look at games that hold their assets on-chain, but where the majority of their gameplay is held server-side off-chain. This first piece represents Axie Infinity, and its decision to move away from Ethereum for its battle features. I really like this one, it's also my first attempt at shoddy animation! no. 17/20

Pranksy collection image

Having spent years in the world of dapps, nfts and tokenised art, Pranksy offers a unique creative perspective of the technological revolution of the blockchain.

カテゎリヌ PFPs
コントラクトのアドレス0xc563...aa8a
トヌクン ID
トヌクン暙準ERC-721
チェヌンEthereum
メタデヌタ集䞭
クリ゚むタヌ収益
5%
keyboard_arrow_down
  • 販売
  • 転送
むベント
䟡栌
開始日
終了日
日付