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My final entrant into the world-building series is reality lost, however grand and exciting the immense possibilities voxels and DCL may offer us, is it leading us in the wrong direction? Is technology always a positive? Do you want me to ask you questions like this? Probably not... you're just after Vitalik's face stuck to a rat aren't you? Much Love to all. no. 2/3

Pranksy collection image

Having spent years in the world of dapps, nfts and tokenised art, Pranksy offers a unique creative perspective of the technological revolution of the blockchain.

カテゎリヌ PFPs
コントラクトのアドレス0xc563...aa8a
トヌクン ID
トヌクン暙準ERC-721
チェヌンEthereum
メタデヌタ集䞭
クリ゚むタヌ収益
5%

reality lost 2/3

visibility
102 閲芧回数
  • 䟡栌
    米ドル䟡栌
    数量
    有効期限
    送信元
  • 䟡栌
    米ドル䟡栌
    数量
    最䜎䟡栌差
    有効期限
    送信元
keyboard_arrow_down
  • 販売
  • 転送
むベント
䟡栌
開始日
終了日
日付

reality lost 2/3

visibility
102 閲芧回数
  • 䟡栌
    米ドル䟡栌
    数量
    有効期限
    送信元
  • 䟡栌
    米ドル䟡栌
    数量
    最䜎䟡栌差
    有効期限
    送信元

My final entrant into the world-building series is reality lost, however grand and exciting the immense possibilities voxels and DCL may offer us, is it leading us in the wrong direction? Is technology always a positive? Do you want me to ask you questions like this? Probably not... you're just after Vitalik's face stuck to a rat aren't you? Much Love to all. no. 2/3

Pranksy collection image

Having spent years in the world of dapps, nfts and tokenised art, Pranksy offers a unique creative perspective of the technological revolution of the blockchain.

カテゎリヌ PFPs
コントラクトのアドレス0xc563...aa8a
トヌクン ID
トヌクン暙準ERC-721
チェヌンEthereum
メタデヌタ集䞭
クリ゚むタヌ収益
5%
keyboard_arrow_down
  • 販売
  • 転送
むベント
䟡栌
開始日
終了日
日付