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the spring begins with the first rainstorm is my merger of earthly patterning and digital dynamics, seeing both organisms as collaborators in an effort to erase the human hand and glimpse into an environmental portal.

My inspiration comes from falling in the fountains of the Louvre as a child and sneaking past the guards to enter the glass temple dripping and squishing with each step – from Sigmar Polke’s dispersion paintings – from Joseph Beuys and Bas Jan Ader – from Aldous Huxley and John Muir – from the plentiful and the barren – from the joy of discovery and the fear of what could unravel.

I started with the pattern variable, this movement was first created by dragging large paintings through the ocean until my brushstrokes disappeared and the earth becomes the composer. The movement that emerged is akin to light fracturing through water, the bark of trees, or the skin of reptiles. When redacted into visible pixels it harkens to traditional screen-printing and a web 1.0 dream. When the patterns start multiplying, they become portals to elsewhere, while also signifying a system trying to ‘learn’ the movements of the earth. I see the ‘hibernal’ as blizzards, ‘maelstrom’ as dreams of the deep water and the ‘arboretum’ as lush gardens. The palette variable is meant to mirror lavish watercolor washes while the smokey ribboning represents the winds. In totality, I hope is to blur many lines – constructed and broken down, calming and fearsome, aspirational and apocalyptic.

The Genesis Edition

The first 48 mints shall receive this special edition collection, which includes:

  • A unique print of the minter’s piece, printed on archival Hahnemühle German etching paper, mounted on 16” x 12” (40.6 cm x 30.5 cm) maple board, signed and titled on verso.

  • A serpentine rock I collected near 34.744145603, -119.98518572 (including a maple presentation stand).

  • A limited edition visual compendium chronicling the conceptual theory of the work, signed and numbered.

Please visit the project website for more details about the Genesis Edition.

Controls:

p - for a high resolution (6000 x 7200 pixels) printable version s - to save the image as a png file

the spring begins with the first rainstorm by Cole Sternberg collection image

Art Blocks Collection: Presents

Heritage Art Blocks Collection: Factory

Project Description: the spring begins with the first rainstorm is my merger of earthly patterning and digital dynamics, seeing both organisms as collaborators in an effort to erase the human hand and glimpse into an environmental portal.

My inspiration comes from falling in the fountains of the Louvre as a child and sneaking past the guards to enter the glass temple dripping and squishing with each step – from Sigmar Polke’s dispersion paintings – from Joseph Beuys and Bas Jan Ader – from Aldous Huxley and John Muir – from the plentiful and the barren – from the joy of discovery and the fear of what could unravel.

I started with the pattern variable, this movement was first created by dragging large paintings through the ocean until my brushstrokes disappeared and the earth becomes the composer. The movement that emerged is akin to light fracturing through water, the bark of trees, or the skin of reptiles. When redacted into visible pixels it harkens to traditional screen-printing and a web 1.0 dream. When the patterns start multiplying, they become portals to elsewhere, while also signifying a system trying to ‘learn’ the movements of the earth. I see the ‘hibernal’ as blizzards, ‘maelstrom’ as dreams of the deep water and the ‘arboretum’ as lush gardens. The palette variable is meant to mirror lavish watercolor washes while the smokey ribboning represents the winds. In totality, I hope is to blur many lines – constructed and broken down, calming and fearsome, aspirational and apocalyptic.

The Genesis Edition

The first 48 mints shall receive this special edition collection, which includes:

  • A unique print of the minter’s piece, printed on archival Hahnemühle German etching paper, mounted on 16” x 12” (40.6 cm x 30.5 cm) maple board, signed and titled on verso.

  • A serpentine rock I collected near 34.744145603, -119.98518572 (including a maple presentation stand).

  • A limited edition visual compendium chronicling the conceptual theory of the work, signed and numbered.

Please visit the project website for more details about the Genesis Edition.

Controls:

p - for a high resolution (6000 x 7200 pixels) printable version s - to save the image as a png file

カテゴリー Art
コントラクトのアドレス0xa7d8...d270
トークン ID317000165
トークン標準ERC-721
チェーンEthereum
最終更新日1年間前
クリエイター収益
7.5%

the spring begins with the first rainstorm #165

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the spring begins with the first rainstorm #165

visibility
26 閲覧回数
  • 価格
    米ドル価格
    数量
    有効期限
    送信元
  • 価格
    米ドル価格
    数量
    最低価格差
    有効期限
    送信元

the spring begins with the first rainstorm is my merger of earthly patterning and digital dynamics, seeing both organisms as collaborators in an effort to erase the human hand and glimpse into an environmental portal.

My inspiration comes from falling in the fountains of the Louvre as a child and sneaking past the guards to enter the glass temple dripping and squishing with each step – from Sigmar Polke’s dispersion paintings – from Joseph Beuys and Bas Jan Ader – from Aldous Huxley and John Muir – from the plentiful and the barren – from the joy of discovery and the fear of what could unravel.

I started with the pattern variable, this movement was first created by dragging large paintings through the ocean until my brushstrokes disappeared and the earth becomes the composer. The movement that emerged is akin to light fracturing through water, the bark of trees, or the skin of reptiles. When redacted into visible pixels it harkens to traditional screen-printing and a web 1.0 dream. When the patterns start multiplying, they become portals to elsewhere, while also signifying a system trying to ‘learn’ the movements of the earth. I see the ‘hibernal’ as blizzards, ‘maelstrom’ as dreams of the deep water and the ‘arboretum’ as lush gardens. The palette variable is meant to mirror lavish watercolor washes while the smokey ribboning represents the winds. In totality, I hope is to blur many lines – constructed and broken down, calming and fearsome, aspirational and apocalyptic.

The Genesis Edition

The first 48 mints shall receive this special edition collection, which includes:

  • A unique print of the minter’s piece, printed on archival Hahnemühle German etching paper, mounted on 16” x 12” (40.6 cm x 30.5 cm) maple board, signed and titled on verso.

  • A serpentine rock I collected near 34.744145603, -119.98518572 (including a maple presentation stand).

  • A limited edition visual compendium chronicling the conceptual theory of the work, signed and numbered.

Please visit the project website for more details about the Genesis Edition.

Controls:

p - for a high resolution (6000 x 7200 pixels) printable version s - to save the image as a png file

the spring begins with the first rainstorm by Cole Sternberg collection image

Art Blocks Collection: Presents

Heritage Art Blocks Collection: Factory

Project Description: the spring begins with the first rainstorm is my merger of earthly patterning and digital dynamics, seeing both organisms as collaborators in an effort to erase the human hand and glimpse into an environmental portal.

My inspiration comes from falling in the fountains of the Louvre as a child and sneaking past the guards to enter the glass temple dripping and squishing with each step – from Sigmar Polke’s dispersion paintings – from Joseph Beuys and Bas Jan Ader – from Aldous Huxley and John Muir – from the plentiful and the barren – from the joy of discovery and the fear of what could unravel.

I started with the pattern variable, this movement was first created by dragging large paintings through the ocean until my brushstrokes disappeared and the earth becomes the composer. The movement that emerged is akin to light fracturing through water, the bark of trees, or the skin of reptiles. When redacted into visible pixels it harkens to traditional screen-printing and a web 1.0 dream. When the patterns start multiplying, they become portals to elsewhere, while also signifying a system trying to ‘learn’ the movements of the earth. I see the ‘hibernal’ as blizzards, ‘maelstrom’ as dreams of the deep water and the ‘arboretum’ as lush gardens. The palette variable is meant to mirror lavish watercolor washes while the smokey ribboning represents the winds. In totality, I hope is to blur many lines – constructed and broken down, calming and fearsome, aspirational and apocalyptic.

The Genesis Edition

The first 48 mints shall receive this special edition collection, which includes:

  • A unique print of the minter’s piece, printed on archival Hahnemühle German etching paper, mounted on 16” x 12” (40.6 cm x 30.5 cm) maple board, signed and titled on verso.

  • A serpentine rock I collected near 34.744145603, -119.98518572 (including a maple presentation stand).

  • A limited edition visual compendium chronicling the conceptual theory of the work, signed and numbered.

Please visit the project website for more details about the Genesis Edition.

Controls:

p - for a high resolution (6000 x 7200 pixels) printable version s - to save the image as a png file

カテゴリー Art
コントラクトのアドレス0xa7d8...d270
トークン ID317000165
トークン標準ERC-721
チェーンEthereum
最終更新日1年間前
クリエイター収益
7.5%
keyboard_arrow_down
イベント
価格
開始日
終了日
日付