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Driven by a desire for people to look beyond subject and appreciate the work as pure painting, Jackson Pollock began to name his canvases by number. From the edges of No. 3 (1950), we reveal the next perspective. What do you see?
Beyond the Edge presents four perspectives of Jackson Pollock's studio floor, the site upon which the master abstract expressionist dripped, poured, and splattered paint across unstretched canvas. At the time of creation, the 1940s and 1950s, his expressive process of working around a canvas laid directly on the floor was unheard of; however, it soon overturned the tradition of upright painting, a convention which had been firmly established for five centuries.
Purchases via secondary do not include a print.
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Jackson Pollock Studio 03 - #60
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Driven by a desire for people to look beyond subject and appreciate the work as pure painting, Jackson Pollock began to name his canvases by number. From the edges of No. 3 (1950), we reveal the next perspective. What do you see?
Beyond the Edge presents four perspectives of Jackson Pollock's studio floor, the site upon which the master abstract expressionist dripped, poured, and splattered paint across unstretched canvas. At the time of creation, the 1940s and 1950s, his expressive process of working around a canvas laid directly on the floor was unheard of; however, it soon overturned the tradition of upright painting, a convention which had been firmly established for five centuries.
Purchases via secondary do not include a print.
keyboard_arrow_down
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- 転送
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