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Boy sits on window, Paris, 1967
In Paris, 1967, a timid boy sits just a few feet above the ground, riding a railing. The juxtaposition of his timidity against the act of balancing created a humorous effect. As I construct these sequences, I strive to find connections and flowing imagery, offering viewers an engaging journey.
One Image, Every Day, for a Decade
Sequels is Joel Meyerowitz's pioneering exploration of photography and blockchain technology, uniting six decades of his work into a decade-long narrative. This visual autobiography offers a unique window into Meyerowitz's diverse experiences across the USA, Europe, and Latin America.
For sequels, Meyerowitz brings together images from over 250,000 negatives, revealing connections between photographs and creating an ongoing, interactive exhibition. As he puts it, "When you put a run of pictures together, you're making ideas, they become your language."
Sequels transcends the boundaries of traditional exhibits, promising a new image every day for ten years. Meyerowitz invites us into this evolving narrative, sparking anticipation and engagement with the question: "What's he going to come up with next?"
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Sequels #127
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21 閲覧回数- 価格米ドル価格数量有効期限送信元
- 価格米ドル価格数量最低価格差有効期限送信元
Boy sits on window, Paris, 1967
In Paris, 1967, a timid boy sits just a few feet above the ground, riding a railing. The juxtaposition of his timidity against the act of balancing created a humorous effect. As I construct these sequences, I strive to find connections and flowing imagery, offering viewers an engaging journey.
One Image, Every Day, for a Decade
Sequels is Joel Meyerowitz's pioneering exploration of photography and blockchain technology, uniting six decades of his work into a decade-long narrative. This visual autobiography offers a unique window into Meyerowitz's diverse experiences across the USA, Europe, and Latin America.
For sequels, Meyerowitz brings together images from over 250,000 negatives, revealing connections between photographs and creating an ongoing, interactive exhibition. As he puts it, "When you put a run of pictures together, you're making ideas, they become your language."
Sequels transcends the boundaries of traditional exhibits, promising a new image every day for ten years. Meyerowitz invites us into this evolving narrative, sparking anticipation and engagement with the question: "What's he going to come up with next?"
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