Skip to main content
By 431BD1
By 431BD1

This painting was first published as the cover of the 2013 Yes box set 'The Studio Years 1969-1987''The subject of the painting is the rock formation in the distance. There were a couple of paintings that were just details from this formation, made in fact, before I had conceived of the complete structure. At the time of making them, I was fiercely curious of what lay just to the left or just to the right of the paintings, clearly they were part of a bigger structure and in fact part of a world where these structures were a given.' - RD

Roger Dean collection image

Allurium

コントラクトのアドレス0x59e0...b918
トヌクン ID30900020311
トヌクン暙準ERC-721
チェヌンEthereum
クリ゚むタヌ収益
0%

Green Parrot Island #311/777

visibility
2 閲芧回数
  • 䟡栌
    米ドル䟡栌
    数量
    有効期限
    送信元
  • 䟡栌
    米ドル䟡栌
    数量
    最䜎䟡栌差
    有効期限
    送信元
keyboard_arrow_down
むベント
䟡栌
開始日
終了日
日付

Green Parrot Island #311/777

visibility
2 閲芧回数
  • 䟡栌
    米ドル䟡栌
    数量
    有効期限
    送信元
  • 䟡栌
    米ドル䟡栌
    数量
    最䜎䟡栌差
    有効期限
    送信元
By 431BD1
By 431BD1

This painting was first published as the cover of the 2013 Yes box set 'The Studio Years 1969-1987''The subject of the painting is the rock formation in the distance. There were a couple of paintings that were just details from this formation, made in fact, before I had conceived of the complete structure. At the time of making them, I was fiercely curious of what lay just to the left or just to the right of the paintings, clearly they were part of a bigger structure and in fact part of a world where these structures were a given.' - RD

Roger Dean collection image

Allurium

コントラクトのアドレス0x59e0...b918
トヌクン ID30900020311
トヌクン暙準ERC-721
チェヌンEthereum
クリ゚むタヌ収益
0%
keyboard_arrow_down
むベント
䟡栌
開始日
終了日
日付