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This series collects the colours of the scenery while walking around in the old market (Sakurai Ichiba) where the gallery is located. I choose the motif from the streets and landscapes I actually walked and the activities of the people in those towns, to show "what's painted is something that is in close contact with the artist's real life (= world = landscape)".
I use the way of processing the pictures into mosaics with digital and paint it using paints with analog. Finally, it was used in an artwork painted on three sides of the walls of the gallery, this action recorded in video, and the walls were covered in white at the end.
With each wall as a boundary (= contact point), this installation work is designed to allow visitors to view the scenery on the other side of the boundary by comparing it with the actual market using their memories, imagination, and images.
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Sakurai Ichiba the old market, Minoh city in Osaka, 2014
https://mikiwanibuchi.com/portfolio/photo-grid/ https://mikiwanibuchi.com/portfolio/touch-the-boundary/
It has the important aspect for me to walk and take photos in order to “touch the boundary” between inner myself and the outer world. My work starts from this point primitively, speaking of very personal reasons.
I take pictures of where I go and what I see, then process it into mosaics, extract colours from them, and faithfully paint dots with it on canvas.
All NFTs here are the important work that form the basis of my creation.
https://mikiwanibuchi.com/portfolio/photo-grid/ https://mikiwanibuchi.com/portfolio/touch-the-boundary/ https://mikiwanibuchi.com/portfolio/walking-in-minoh-no-mori-project/ https://mikiwanibuchi.com/portfolio/2016-kaohsiung-paintings/ https://mikiwanibuchi.com/portfolio/stay-beyond-the-boundary-sapporo/
Walking in Sakurai Ichiba 2014 [P]
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23 閲覧回数- 価格米ドル価格数量有効期限送信元
- 価格米ドル価格数量最低価格差有効期限送信元
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Walking in Sakurai Ichiba 2014 [P]
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visibility
23 閲覧回数- 価格米ドル価格数量有効期限送信元
- 価格米ドル価格数量最低価格差有効期限送信元
This series collects the colours of the scenery while walking around in the old market (Sakurai Ichiba) where the gallery is located. I choose the motif from the streets and landscapes I actually walked and the activities of the people in those towns, to show "what's painted is something that is in close contact with the artist's real life (= world = landscape)".
I use the way of processing the pictures into mosaics with digital and paint it using paints with analog. Finally, it was used in an artwork painted on three sides of the walls of the gallery, this action recorded in video, and the walls were covered in white at the end.
With each wall as a boundary (= contact point), this installation work is designed to allow visitors to view the scenery on the other side of the boundary by comparing it with the actual market using their memories, imagination, and images.
//////
Sakurai Ichiba the old market, Minoh city in Osaka, 2014
https://mikiwanibuchi.com/portfolio/photo-grid/ https://mikiwanibuchi.com/portfolio/touch-the-boundary/
It has the important aspect for me to walk and take photos in order to “touch the boundary” between inner myself and the outer world. My work starts from this point primitively, speaking of very personal reasons.
I take pictures of where I go and what I see, then process it into mosaics, extract colours from them, and faithfully paint dots with it on canvas.
All NFTs here are the important work that form the basis of my creation.
https://mikiwanibuchi.com/portfolio/photo-grid/ https://mikiwanibuchi.com/portfolio/touch-the-boundary/ https://mikiwanibuchi.com/portfolio/walking-in-minoh-no-mori-project/ https://mikiwanibuchi.com/portfolio/2016-kaohsiung-paintings/ https://mikiwanibuchi.com/portfolio/stay-beyond-the-boundary-sapporo/
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