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Priscilla del Canto, the daughter of Raúl del Canto and Sofía Soto, named after her grandmother, had been in love with the colors and scents of the flora and fauna of Tamaulipas since she was a small child. It was a passion she shared with her father, who took up gardening after his brush with death at sea. An only child, she wasn’t very social and liked to go off by herself on long walks, that left her family worried sick. She was an odd girl, often found wandering through the forest with flowers in her hair, talking to the insects and animals. Her grandparents could often be found in the cathedral, praying to Santa María for her well-being.
A novella by Nicholas Gill and Alejandro Cartagena.
A collection of 151 “expired photographs” that were thrown out, collected from a tianguis outside of Mexico City by photographer and archivist Alejandro Cartagena and then pieced together and reimagined by writer Nicholas Gill. The 151-page novella tells the tale of the fictional town of Santa María de las Rocas, located in the Mexican state of Tamaulipas.
The story traces this coastal community from its humble origins at the turn of the century to the 1980s, as it corresponds to real events in the history of this corner of Mexico. As years pass, the landscape changes and the community grows and develops. There’s corruption and violence, magic and hope. Characters fall in love and fall apart. Their voices are heard. Their songs are sung.
The existence of this project is designed to question the very nature of storytelling and its possibilities in the digital age. As such, it’s done as a CO0, for free public use.
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- 価格米ドル価格数量最低価格差有効期限送信元
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Page 25
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33 閲覧回数- 価格米ドル価格数量有効期限送信元
- 価格米ドル価格数量最低価格差有効期限送信元
Priscilla del Canto, the daughter of Raúl del Canto and Sofía Soto, named after her grandmother, had been in love with the colors and scents of the flora and fauna of Tamaulipas since she was a small child. It was a passion she shared with her father, who took up gardening after his brush with death at sea. An only child, she wasn’t very social and liked to go off by herself on long walks, that left her family worried sick. She was an odd girl, often found wandering through the forest with flowers in her hair, talking to the insects and animals. Her grandparents could often be found in the cathedral, praying to Santa María for her well-being.
A novella by Nicholas Gill and Alejandro Cartagena.
A collection of 151 “expired photographs” that were thrown out, collected from a tianguis outside of Mexico City by photographer and archivist Alejandro Cartagena and then pieced together and reimagined by writer Nicholas Gill. The 151-page novella tells the tale of the fictional town of Santa María de las Rocas, located in the Mexican state of Tamaulipas.
The story traces this coastal community from its humble origins at the turn of the century to the 1980s, as it corresponds to real events in the history of this corner of Mexico. As years pass, the landscape changes and the community grows and develops. There’s corruption and violence, magic and hope. Characters fall in love and fall apart. Their voices are heard. Their songs are sung.
The existence of this project is designed to question the very nature of storytelling and its possibilities in the digital age. As such, it’s done as a CO0, for free public use.
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