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By mownamuseum
By mownamuseum
artist: Béatrice Coron
series: Trans-Forms
title: No-Mad
portfolio: https://www.beatricecoron.com
Béatrice Coron explores visual storytelling in artist books, paper cutting and public art.
Born in France, she was a shepherdess and truck driver among others, then she worked in tourism and lived in Egypt and Mexico for one year each and two years in China. She moved to New York where she launched her career as an artist in 1984. In all these places she collected many stories.
Her work can be seen in collections such as the Metropolitan Museum and the Walker Art Center and her public art in New York, Chicago, Paris and Hong Kong among others.
Quoted text in french by Frankétienne from "Mots d’ailes en infini d’abîmes", translation Thomas C. Spear
Trans-Forms is a collection of papercuts about metamorphosis. It is a quest for biology and machines’ appropriation in a spirit of creolization as defined by Edouard Glissant.
Approaching borders of traumatic weaknesses and the horror of limits. Côtoyer les frontières des impuissances traumatisantes et l’horreur des limites.
Look, watch, think: how many trans-formations you got (physically, spiritually or metaphorically)?
This work was exhibited in the Museum of Wild and Newfangled Art's This Show is Curated by a Machine 🤖, which took place from September 23, 2021 through January 31, 2022. The show is curated by an artificial intelligence which learned to curate by looking at artworks from the Museum of Modern Art, the Art Institute of Chicago, the 2021 Museum of Wild and Newfangled Art Biennial, and other sources. The show has been added to mowna's collection, which is available for viewing online at https://www.mowna.org.
The winner of this auction will receive a 1/1 limited edition NFT, minted by the museum. 70% of the sale will pay the artist of the NFT for their work, with the remaining 30% paying for the creation of the museum platform. The winner will also unlock a free one month membership code for the museum.
"This Show is Curated by a Machine 🤖" is mowna's third exhibition of the 2021 year. It directly answers the Whitney Museum of American Art's curatorial question, "The Next Biennial Should Be Curated by a Machine." The show is curated by artificial intelligence. Featuring work from L Akers, B V V Alvarez, A Amaducci, J Belotserkovsky, A Berman, M Bilbao·Herrera, F Brunet, H Brunieri, R Chowdhary, B Coron, N Crank, T David, B DeFranco, S Deumier, Duda, C Eagleeye-Wilson, ebeck, D Figurski, J Florens, P Gervois, A Goldfarb, Dr K Hamilton, Ilona Design Art, B Irizarry, T L Jones, M Kobakhidze, M Lâm, V Laminarca, Y Li, A Lincoln, D Lojek, S Mandsaurwalla, B G Maris, S Mauldin, A El Mokri, L Nazarova, L Oates, D Onzin, A A Pace, L Pelli, C Pettigrew, k pinter, a prum, B Quetzali, S T Rosenthal, N Rusinova, S Ryabchenko, S K Saha, A Salmanpour, J Schwartz, H Shafie, V Sharko, O Synooka, A Taskin, K Tkachenko, D Tomashevych, C Ungersbäck, B A White, J Wolf, S Yuliya
Trans-Forms - No-Mad by Béatrice Coron
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Trans-Forms - No-Mad by Béatrice Coron
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mownamuseum
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11 閲覧回数- 価格米ドル価格数量有効期限送信元
- 価格米ドル価格数量最低価格差有効期限送信元
By mownamuseum
By mownamuseum
artist: Béatrice Coron
series: Trans-Forms
title: No-Mad
portfolio: https://www.beatricecoron.com
Béatrice Coron explores visual storytelling in artist books, paper cutting and public art.
Born in France, she was a shepherdess and truck driver among others, then she worked in tourism and lived in Egypt and Mexico for one year each and two years in China. She moved to New York where she launched her career as an artist in 1984. In all these places she collected many stories.
Her work can be seen in collections such as the Metropolitan Museum and the Walker Art Center and her public art in New York, Chicago, Paris and Hong Kong among others.
Quoted text in french by Frankétienne from "Mots d’ailes en infini d’abîmes", translation Thomas C. Spear
Trans-Forms is a collection of papercuts about metamorphosis. It is a quest for biology and machines’ appropriation in a spirit of creolization as defined by Edouard Glissant.
Approaching borders of traumatic weaknesses and the horror of limits. Côtoyer les frontières des impuissances traumatisantes et l’horreur des limites.
Look, watch, think: how many trans-formations you got (physically, spiritually or metaphorically)?
This work was exhibited in the Museum of Wild and Newfangled Art's This Show is Curated by a Machine 🤖, which took place from September 23, 2021 through January 31, 2022. The show is curated by an artificial intelligence which learned to curate by looking at artworks from the Museum of Modern Art, the Art Institute of Chicago, the 2021 Museum of Wild and Newfangled Art Biennial, and other sources. The show has been added to mowna's collection, which is available for viewing online at https://www.mowna.org.
The winner of this auction will receive a 1/1 limited edition NFT, minted by the museum. 70% of the sale will pay the artist of the NFT for their work, with the remaining 30% paying for the creation of the museum platform. The winner will also unlock a free one month membership code for the museum.
"This Show is Curated by a Machine 🤖" is mowna's third exhibition of the 2021 year. It directly answers the Whitney Museum of American Art's curatorial question, "The Next Biennial Should Be Curated by a Machine." The show is curated by artificial intelligence. Featuring work from L Akers, B V V Alvarez, A Amaducci, J Belotserkovsky, A Berman, M Bilbao·Herrera, F Brunet, H Brunieri, R Chowdhary, B Coron, N Crank, T David, B DeFranco, S Deumier, Duda, C Eagleeye-Wilson, ebeck, D Figurski, J Florens, P Gervois, A Goldfarb, Dr K Hamilton, Ilona Design Art, B Irizarry, T L Jones, M Kobakhidze, M Lâm, V Laminarca, Y Li, A Lincoln, D Lojek, S Mandsaurwalla, B G Maris, S Mauldin, A El Mokri, L Nazarova, L Oates, D Onzin, A A Pace, L Pelli, C Pettigrew, k pinter, a prum, B Quetzali, S T Rosenthal, N Rusinova, S Ryabchenko, S K Saha, A Salmanpour, J Schwartz, H Shafie, V Sharko, O Synooka, A Taskin, K Tkachenko, D Tomashevych, C Ungersbäck, B A White, J Wolf, S Yuliya
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