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The salvation of design comes from experiment - it does not imitate a living space. - A Combined Quote from Lazlo Maholy-Nagy and El Lissitzky
Lazlo Lissitsky is a Processing sketch designed to create increasingly complex Bauhaus/Modernist/Swiss Modern style compositions. Developed from an open source sketch from open processing, Lazlo has become a very complicated body of spaghetti code that somehow magically works and evokes mid-20th century design. The names of the files are a running joke about the very ordinary uses that modernist design was used for. Admittedly, some was in museums - but so much good design went into Penguin book covers for non-fiction, into posters for committees and conferences, into the boring everyday.
With each wave of Lazlo designs the program evolves a little bit and uses new methods, new code, new patterns.
Lazlo Lissitsky is a generative modernist project drawing on Suprematism, the Bauhaus, and Swiss Modern graphic design. The synthetic artist that created these works is a mashup of László Moholy-Nagy and El Lissitzky, and the works are titled after fictional books/pamphlets/albums that Lazlo Lissitsky designed covers for circa 1919-1999. This project was released in 7 waves, and pronounced complete at 383 works.
Lazlo Lissitsky - Platonic Theory in Beatnik Beatitudes, Theosophy in the Work of Jack Kerouac, John Scott Emerick, 1989.
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Coldie
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28 閲覧回数- 価格米ドル価格数量有効期限送信元
- 価格米ドル価格数量最低価格差有効期限送信元
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Lazlo Lissitsky - Platonic Theory in Beatnik Beatitudes, Theosophy in the Work of Jack Kerouac, John Scott Emerick, 1989.
所有者
Coldie
1
visibility
28 閲覧回数- 価格米ドル価格数量有効期限送信元
- 価格米ドル価格数量最低価格差有効期限送信元
The salvation of design comes from experiment - it does not imitate a living space. - A Combined Quote from Lazlo Maholy-Nagy and El Lissitzky
Lazlo Lissitsky is a Processing sketch designed to create increasingly complex Bauhaus/Modernist/Swiss Modern style compositions. Developed from an open source sketch from open processing, Lazlo has become a very complicated body of spaghetti code that somehow magically works and evokes mid-20th century design. The names of the files are a running joke about the very ordinary uses that modernist design was used for. Admittedly, some was in museums - but so much good design went into Penguin book covers for non-fiction, into posters for committees and conferences, into the boring everyday.
With each wave of Lazlo designs the program evolves a little bit and uses new methods, new code, new patterns.
Lazlo Lissitsky is a generative modernist project drawing on Suprematism, the Bauhaus, and Swiss Modern graphic design. The synthetic artist that created these works is a mashup of László Moholy-Nagy and El Lissitzky, and the works are titled after fictional books/pamphlets/albums that Lazlo Lissitsky designed covers for circa 1919-1999. This project was released in 7 waves, and pronounced complete at 383 works.
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