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Lazlo Lissitsky is a fictional combination of Lazlo Maholy-Nagy and El Lissitsky, also drawing on the art of the Swiss Modern design movement of mid 20th century. This artwork is generated using a very complex series of ranges and number generators with controls, aiming to be able to create through code the sorts fo designs modernists would have made. With each iteration of the program there are new palettes (that may or may not be used) new patterns possible, new shapes and combinations that all strive for a certain kind of synthetic authenticity.

The titles of these works are something of a joke - meant to evoke the very ordinary uses that modernist abstract design ended up being used for. Perhaps this is the dream of the Bauhaus made real - everyday objects having aesthetic value - or maybe it’s a bastardization of art for such common things. Either way, the titles are fictional print materials that Lazlo Lissitsky would have made during his career spanning from 1912-1999.

Lazlo Lissitsky collection image

Lazlo Lissitsky is a generative modernist project drawing on Suprematism, the Bauhaus, and Swiss Modern graphic design. The synthetic artist that created these works is a mashup of László Moholy-Nagy and El Lissitzky, and the works are titled after fictional books/pamphlets/albums that Lazlo Lissitsky designed covers for circa 1919-1999. This project was released in 7 waves, and pronounced complete at 383 works.

カテゴリー Art
コントラクトのアドレス0x495f...7b5e
トークン ID
トークン標準ERC-1155
チェーンEthereum
メタデータ集中
クリエイター収益
10%

Lazlo Lissitsky - Home Brewing in Liberian Culture, Dr. Ezra Talessi, 1977

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Lazlo Lissitsky - Home Brewing in Liberian Culture, Dr. Ezra Talessi, 1977

visibility
10 閲覧回数
  • 価格
    米ドル価格
    数量
    有効期限
    送信元
  • 価格
    米ドル価格
    数量
    最低価格差
    有効期限
    送信元

Lazlo Lissitsky is a fictional combination of Lazlo Maholy-Nagy and El Lissitsky, also drawing on the art of the Swiss Modern design movement of mid 20th century. This artwork is generated using a very complex series of ranges and number generators with controls, aiming to be able to create through code the sorts fo designs modernists would have made. With each iteration of the program there are new palettes (that may or may not be used) new patterns possible, new shapes and combinations that all strive for a certain kind of synthetic authenticity.

The titles of these works are something of a joke - meant to evoke the very ordinary uses that modernist abstract design ended up being used for. Perhaps this is the dream of the Bauhaus made real - everyday objects having aesthetic value - or maybe it’s a bastardization of art for such common things. Either way, the titles are fictional print materials that Lazlo Lissitsky would have made during his career spanning from 1912-1999.

Lazlo Lissitsky collection image

Lazlo Lissitsky is a generative modernist project drawing on Suprematism, the Bauhaus, and Swiss Modern graphic design. The synthetic artist that created these works is a mashup of László Moholy-Nagy and El Lissitzky, and the works are titled after fictional books/pamphlets/albums that Lazlo Lissitsky designed covers for circa 1919-1999. This project was released in 7 waves, and pronounced complete at 383 works.

カテゴリー Art
コントラクトのアドレス0x495f...7b5e
トークン ID
トークン標準ERC-1155
チェーンEthereum
メタデータ集中
クリエイター収益
10%
keyboard_arrow_down
イベント
価格
開始日
終了日
日付