부친은 콧대가 높은, 타인의 감정은 눈에 들어오지 않는 얼굴을 한 사람이었다.
언제였을까, 부친의 입속으로 들어가 그의 뱃속에 집을 짓고 살아보고 싶었다.
열 달의 무게와 고통을 당신이 감당해야 했었다면, 그럼에도 그는 나를 낳고 싶었을까.
'Giving birth to a life is giving birth to a death.' The series SIM_Scenery stems from this realization.
SIM_Scenery works depict the 'the scenery of purgatory', an afterlife space between heaven and hell, before life and death.
SIM_Scenery, starting from the analog production process, is completed digitally rather than as a physical original that can be destroyed.
The scenery of purgatory is made by imitating the appearance of the present world, and 008 SIM_Scenery shows purgatory in the form of '부친(父親, Father)'.
- 販売
- 転送
008 SIM_Scenery
- 単価米ドル単価数量有効期限送信元
- 単価米ドル単価数量最低価格差有効期限送信元
부친은 콧대가 높은, 타인의 감정은 눈에 들어오지 않는 얼굴을 한 사람이었다.
언제였을까, 부친의 입속으로 들어가 그의 뱃속에 집을 짓고 살아보고 싶었다.
열 달의 무게와 고통을 당신이 감당해야 했었다면, 그럼에도 그는 나를 낳고 싶었을까.
'Giving birth to a life is giving birth to a death.' The series SIM_Scenery stems from this realization.
SIM_Scenery works depict the 'the scenery of purgatory', an afterlife space between heaven and hell, before life and death.
SIM_Scenery, starting from the analog production process, is completed digitally rather than as a physical original that can be destroyed.
The scenery of purgatory is made by imitating the appearance of the present world, and 008 SIM_Scenery shows purgatory in the form of '부친(父親, Father)'.
- 販売
- 転送