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Tale #9 - HEPHAESTUS’ FURY

Created in Cornwall during a spectacular sunset, HEPHAESTUS’ FURY is a fleeting reflection of the twin islets out Holywell Bay. I love how they look like a single, cracked islet, as if Hephaestus’ axe stroke them splitting them open. With the right tide wetting the sand, with a powerful sunset and with the right cloud coverage, a mildly long exposure transformed the sky into a burning crown over the islets, conveying Hephaestus’ fury as I envisioned it.

England 2018 | 5000 x 3334 px

ABOUT TALES OF TWO WORLDS

Reflections are a deep, philosophical subject more than a photographic one for me, and one I love exploring and working on at any chance I get.

Photography is never real; it’s just a bi-dimensional representation of a four-dimensional reality. Photography is an interpretation of reality. Reflections are optical illusions, mere perceptions of reality. I always considered reflection photographs to be images telling tales of something in between two worlds.

To tell my tales, I often like to introduce elements breaking the perfect symmetry of my reflections; visual anchors, points of interest, or simply something hidden in the image, something that you can’t really see but it’s there if you look for it.

Photographing reflections is an exploration of the interplay between what we perceive as real and what is just a perceived image of that perception. This collection is a 4-year slice of that exploration.

Vieri Bottazzini | Tales of Two Worlds collection image

Reflections are a deep, philosophical subject more than a photographic one for me, and one I love exploring and working on at any chance I get.

Photography is never real; it’s just a bi-dimensional representation of a four-dimensional reality. Photography is an interpretation of reality. Reflections are optical illusions, mere perceptions of reality. I always considered reflection photographs to be images telling tales of something in between two worlds.

To tell my tales, I often like to introduce elements breaking the perfect symmetry of my reflections; visual anchors, points of interest, or simply something hidden in the image, something that you can’t really see but it’s there if you look for it.

Photographing reflections is an exploration of the interplay between what we perceive as real and what is just a perceived image of that perception. This collection is a 4-year slice of that exploration.

カテゴリー Photography
コントラクトのアドレス0x495f...7b5e
トークン ID
トークン標準ERC-1155
チェーンEthereum
メタデータ集中
クリエイター収益
10%

Tale #9 - HEPHAESTUS’ FURY

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Tale #9 - HEPHAESTUS’ FURY

visibility
193 閲覧回数
  • 価格
    米ドル価格
    数量
    有効期限
    送信元
  • 価格
    米ドル価格
    数量
    最低価格差
    有効期限
    送信元

Tale #9 - HEPHAESTUS’ FURY

Created in Cornwall during a spectacular sunset, HEPHAESTUS’ FURY is a fleeting reflection of the twin islets out Holywell Bay. I love how they look like a single, cracked islet, as if Hephaestus’ axe stroke them splitting them open. With the right tide wetting the sand, with a powerful sunset and with the right cloud coverage, a mildly long exposure transformed the sky into a burning crown over the islets, conveying Hephaestus’ fury as I envisioned it.

England 2018 | 5000 x 3334 px

ABOUT TALES OF TWO WORLDS

Reflections are a deep, philosophical subject more than a photographic one for me, and one I love exploring and working on at any chance I get.

Photography is never real; it’s just a bi-dimensional representation of a four-dimensional reality. Photography is an interpretation of reality. Reflections are optical illusions, mere perceptions of reality. I always considered reflection photographs to be images telling tales of something in between two worlds.

To tell my tales, I often like to introduce elements breaking the perfect symmetry of my reflections; visual anchors, points of interest, or simply something hidden in the image, something that you can’t really see but it’s there if you look for it.

Photographing reflections is an exploration of the interplay between what we perceive as real and what is just a perceived image of that perception. This collection is a 4-year slice of that exploration.

Vieri Bottazzini | Tales of Two Worlds collection image

Reflections are a deep, philosophical subject more than a photographic one for me, and one I love exploring and working on at any chance I get.

Photography is never real; it’s just a bi-dimensional representation of a four-dimensional reality. Photography is an interpretation of reality. Reflections are optical illusions, mere perceptions of reality. I always considered reflection photographs to be images telling tales of something in between two worlds.

To tell my tales, I often like to introduce elements breaking the perfect symmetry of my reflections; visual anchors, points of interest, or simply something hidden in the image, something that you can’t really see but it’s there if you look for it.

Photographing reflections is an exploration of the interplay between what we perceive as real and what is just a perceived image of that perception. This collection is a 4-year slice of that exploration.

カテゴリー Photography
コントラクトのアドレス0x495f...7b5e
トークン ID
トークン標準ERC-1155
チェーンEthereum
メタデータ集中
クリエイター収益
10%
keyboard_arrow_down
  • 販売
  • 転送
イベント
価格
開始日
終了日
日付