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Gnawts 1, was derived from the Gnawts video I produced in 2000. The piece referenced AIDS/HIV, love/consumption, pain/pleasure. In the video a male nude performer (myself) is bitten or gnawed on by a male figure in a suit, leaving a residue of “love bites”/marks of stigma.
Artist: Kelly McCray
‘Seeking the Periphery’ (StP) is a Canadian Contemporary Art Gallery bridging the digital and analogue divide. StP acknowledges that all cultural artefacts are representations, regardless of origin or material property. Artists always ‘represent’.
The energy contained in a work of representation (art) has material agency. Everything contained in the Gallery is a form energy and materiality, including NFTs, ephemera and time-based work.
Gnawts 1
visibility
8 閲覧回数- 価格米ドル価格数量有効期限送信元
- 価格米ドル価格数量最低価格差有効期限送信元
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Gnawts 1
0
visibility
8 閲覧回数- 価格米ドル価格数量有効期限送信元
- 価格米ドル価格数量最低価格差有効期限送信元
Gnawts 1, was derived from the Gnawts video I produced in 2000. The piece referenced AIDS/HIV, love/consumption, pain/pleasure. In the video a male nude performer (myself) is bitten or gnawed on by a male figure in a suit, leaving a residue of “love bites”/marks of stigma.
Artist: Kelly McCray
‘Seeking the Periphery’ (StP) is a Canadian Contemporary Art Gallery bridging the digital and analogue divide. StP acknowledges that all cultural artefacts are representations, regardless of origin or material property. Artists always ‘represent’.
The energy contained in a work of representation (art) has material agency. Everything contained in the Gallery is a form energy and materiality, including NFTs, ephemera and time-based work.
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イベント
価格
開始日
終了日
日付
