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In this 𝘋𝘊𝘢𝘵𝘩𝘮𝘢𝘎𝘬 series, I am trying to better understand on painting through sculptural experience while translating 𝘗𝘢𝘎𝘎𝘊𝘳𝘎𝘣𝘺 series into three dimensions. I overlay paint on somebody's face to make it look like nobody, and recreate it as a modern mummy portrait that anybody can become. This series consists of only 99 works. And all works become NFTs and are minted with only five editions.

The 𝘋𝘊𝘢𝘵𝘩𝘮𝘢𝘎𝘬 project aims to translate the Passersby project of the past ten years into digital sculptures.

The 𝘗𝘢𝘎𝘎𝘊𝘳𝘎𝘣𝘺 series, also shown in my recent solo exhibition, was a project in which I gazed at the faces of individuals I have denominated as the passersby, recorded the fleeting afterimages into drawings, and later deconstructed the drawings and translated them into paintings.

The 𝘋𝘊𝘢𝘵𝘩𝘮𝘢𝘎𝘬 series, a project in which I have associated the paintings to sculptures and created a genealogy, was inspired by the symbolism of “imago” in Pliny the Elder’s works as identified by Georges Didi-Huberman, French philosopher and art historian.

jaeyeolhan.com

Jaeyeol Han Sculptures collection image

In the Deathmask series, Jaeyeol Han overlays paint on somebody's face to make it look like nobody, and recreate it as a modern mummy portrait that anybody can become. This series consists of only 99 works.

The Deathmask project aims to translate the Passersby project of the past ten years into digital sculptures.

The Passersby series, also shown in my recent solo exhibition, was a project in which I gazed at the faces of individuals I have denominated as the passersby, recorded the fleeting afterimages into drawings, and later deconstructed the drawings and translated them into paintings.

The Deathmask series, a project in which I have associated the paintings to sculptures and created a genealogy, was inspired by the symbolism of “imago” in Pliny the Elder’s works as identified by Georges Didi-Huberman, French philosopher and art historian.

カテゎリヌ Art
コントラクトのアドレス0x495f...7b5e
トヌクン ID
トヌクン暙準ERC-1155
チェヌンEthereum
メタデヌタ集䞭
クリ゚むタヌ収益
10%

Deathmask #15 - Passersby, It Was Nothing Like That, February

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Deathmask #15 - Passersby, It Was Nothing Like That, February

view_module
5 アむテム
visibility
18 閲芧回数
  • 単䟡
    米ドル単䟡
    数量
    有効期限
    送信元
  • 単䟡
    米ドル単䟡
    数量
    最䜎䟡栌差
    有効期限
    送信元

In this 𝘋𝘊𝘢𝘵𝘩𝘮𝘢𝘎𝘬 series, I am trying to better understand on painting through sculptural experience while translating 𝘗𝘢𝘎𝘎𝘊𝘳𝘎𝘣𝘺 series into three dimensions. I overlay paint on somebody's face to make it look like nobody, and recreate it as a modern mummy portrait that anybody can become. This series consists of only 99 works. And all works become NFTs and are minted with only five editions.

The 𝘋𝘊𝘢𝘵𝘩𝘮𝘢𝘎𝘬 project aims to translate the Passersby project of the past ten years into digital sculptures.

The 𝘗𝘢𝘎𝘎𝘊𝘳𝘎𝘣𝘺 series, also shown in my recent solo exhibition, was a project in which I gazed at the faces of individuals I have denominated as the passersby, recorded the fleeting afterimages into drawings, and later deconstructed the drawings and translated them into paintings.

The 𝘋𝘊𝘢𝘵𝘩𝘮𝘢𝘎𝘬 series, a project in which I have associated the paintings to sculptures and created a genealogy, was inspired by the symbolism of “imago” in Pliny the Elder’s works as identified by Georges Didi-Huberman, French philosopher and art historian.

jaeyeolhan.com

Jaeyeol Han Sculptures collection image

In the Deathmask series, Jaeyeol Han overlays paint on somebody's face to make it look like nobody, and recreate it as a modern mummy portrait that anybody can become. This series consists of only 99 works.

The Deathmask project aims to translate the Passersby project of the past ten years into digital sculptures.

The Passersby series, also shown in my recent solo exhibition, was a project in which I gazed at the faces of individuals I have denominated as the passersby, recorded the fleeting afterimages into drawings, and later deconstructed the drawings and translated them into paintings.

The Deathmask series, a project in which I have associated the paintings to sculptures and created a genealogy, was inspired by the symbolism of “imago” in Pliny the Elder’s works as identified by Georges Didi-Huberman, French philosopher and art historian.

カテゎリヌ Art
コントラクトのアドレス0x495f...7b5e
トヌクン ID
トヌクン暙準ERC-1155
チェヌンEthereum
メタデヌタ集䞭
クリ゚むタヌ収益
10%
keyboard_arrow_down
むベント
単䟡
数量
開始日
終了日
日付