7
By kpinko
By kpinko
17th in a series of animated works titled gauGAN - using a generative adversarial network/machine learning to make animations from computer generated paintings and drawings. Trained by images at The Met Museum in New York City & Wikimedia. This is 1/1 (one of a kind).
The gauGAN project utilizes Python + TensorFlow + Adobe After Effects.
gauGAN is a series of works using GANs or generative adversarial networks/machine learning to make animations from computer generated paintings and drawings. Training images include portraits at The Met Museum in New York and other works - spanning centuries of art history.
This project utilizes Python + TensorFlow + Adobe After Effects.
In the early 1960's Andy Warhol declared, "I want to be a machine," which was carried out by the mechanical reproduction of silkscreening art historical iconography including The Last Supper, still life paintings, and The Scream. However, it is now possible to let a machine become the artist by faithfully copying the styles of the great masters throughout time, and mapping them onto factory-produced masterpieces with amazing precision, style and speed.
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gauGAN 17 - Grow
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yayoseoul
7
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144 閲覧回数- 価格米ドル価格数量有効期限送信元
- 価格米ドル価格数量最低価格差有効期限送信元
By kpinko
By kpinko
17th in a series of animated works titled gauGAN - using a generative adversarial network/machine learning to make animations from computer generated paintings and drawings. Trained by images at The Met Museum in New York City & Wikimedia. This is 1/1 (one of a kind).
The gauGAN project utilizes Python + TensorFlow + Adobe After Effects.
gauGAN is a series of works using GANs or generative adversarial networks/machine learning to make animations from computer generated paintings and drawings. Training images include portraits at The Met Museum in New York and other works - spanning centuries of art history.
This project utilizes Python + TensorFlow + Adobe After Effects.
In the early 1960's Andy Warhol declared, "I want to be a machine," which was carried out by the mechanical reproduction of silkscreening art historical iconography including The Last Supper, still life paintings, and The Scream. However, it is now possible to let a machine become the artist by faithfully copying the styles of the great masters throughout time, and mapping them onto factory-produced masterpieces with amazing precision, style and speed.
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