From the 1999 exhibition "Der Zeit das Reif" The year is 1986 a.C. - dark clouds of smoke are drifting out of the sacristy of the Pulheim cathedral chapter. A few seconds later, a deafening bang is heard. Out of a flash of light emerge four bold figures, beige-white, bearded, bereft of their mother tongue. Instrument-like machines hang from their tormented shoulders, their sound unified into a single chord: The birth of the senior rockers Hamster, Pommes, Atze, Rainerlein and Guitarfez was complete. Immediately their pretonal sound and their allegorical nonsense caught the attention of the village youth, who were marked by close relationship. This was followed by numerous musical performances at latency festivals, Hans evenings, Trankstellen and WAldi openings, and even Austrian beer synods. During the years of instrumental mastery, records such as "Süße Klänge, Baby", "Im Vollrausch ihr Affen" and "Stark behaart und fern der Heimat" were created, which not only broke the known genre boundaries through the idiosyncratic creation of aggressive polka and hardcore power rock, but also linguistically tore deep furrows in the field of traditional vocal melody through the singer's retrolabial throat singing. With the sculptures of the "Bluthustenden Madonna vom Ommelstal" and the "Unbefleckten Vergütung" the seniors incidentally also made a name for themselves in the secretarial scene. From 1986 until today, the story of one of Germany's longest-serving funpunk bands continues