From the painting by El Greco, a painter at the Spanish court, emerges the faceless knight with a fish tank representing Christianity. An infant on the largest fish symbolises the compromises with which we approach belief. The protagonist with his hand in his chest is portrayed in a gesture of obsequiousness. Instead of a tunic, he wears a print of a French fashion brand that is an endorsement of Made in Italy as a counterpoint.
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FALSA TEMPORE AC SPATIO VANESCUNT
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- äŸ¡æ Œç±³ãã«äŸ¡æ Œæ°éæäœäŸ¡æ Œå·®æå¹æééä¿¡å
From the painting by El Greco, a painter at the Spanish court, emerges the faceless knight with a fish tank representing Christianity. An infant on the largest fish symbolises the compromises with which we approach belief. The protagonist with his hand in his chest is portrayed in a gesture of obsequiousness. Instead of a tunic, he wears a print of a French fashion brand that is an endorsement of Made in Italy as a counterpoint.