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@og_drewone

Description: Sticker Smash up Art Work

Bio: Graffiti Writer Since 1984 from The Los Angeles California Area who has Implemented my Artwork Design to Identify myself with My Logo that I have been using since 2006...Family which is the Most Important factor in life and my Crew On The Run.

Superchief Season 1 Starter Pack collection image

Superchief Gallery is the world's 1st physical dedicated NFT gallery space. Since we opened our first digital art gallery in Soho back in 2016, Superchief has held the belief that digital-native artwork was an essential art form to include as part of the larger art movement of our era. We have had been running our version of a traditional art gallery space since 2012 and by 2016 we knew well that there wasn't a clear way to monetize digital artwork. But we felt strongly that just because we couldn't sell it at the present time, didn’t mean it should be kept apart from the art community at large. These are artists we feel are brilliant and exciting, and should be part of the cultural exchange.

カテゎリヌ Art
コントラクトのアドレス0x495f...7b5e
トヌクン ID
トヌクン暙準ERC-1155
チェヌンEthereum
メタデヌタ集䞭
クリ゚むタヌ収益
15%

049b - Drew One - "Stickers Slaptags and Graffiti" - Edition of 30

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30 アむテム
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240 閲芧回数
  • 単䟡
    米ドル単䟡
    数量
    有効期限
    送信元
  • 単䟡
    米ドル単䟡
    数量
    最䜎䟡栌差
    有効期限
    送信元
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049b - Drew One - "Stickers Slaptags and Graffiti" - Edition of 30

view_module
30 アむテム
visibility
240 閲芧回数
  • 単䟡
    米ドル単䟡
    数量
    有効期限
    送信元
  • 単䟡
    米ドル単䟡
    数量
    最䜎䟡栌差
    有効期限
    送信元

@og_drewone

Description: Sticker Smash up Art Work

Bio: Graffiti Writer Since 1984 from The Los Angeles California Area who has Implemented my Artwork Design to Identify myself with My Logo that I have been using since 2006...Family which is the Most Important factor in life and my Crew On The Run.

Superchief Season 1 Starter Pack collection image

Superchief Gallery is the world's 1st physical dedicated NFT gallery space. Since we opened our first digital art gallery in Soho back in 2016, Superchief has held the belief that digital-native artwork was an essential art form to include as part of the larger art movement of our era. We have had been running our version of a traditional art gallery space since 2012 and by 2016 we knew well that there wasn't a clear way to monetize digital artwork. But we felt strongly that just because we couldn't sell it at the present time, didn’t mean it should be kept apart from the art community at large. These are artists we feel are brilliant and exciting, and should be part of the cultural exchange.

カテゎリヌ Art
コントラクトのアドレス0x495f...7b5e
トヌクン ID
トヌクン暙準ERC-1155
チェヌンEthereum
メタデヌタ集䞭
クリ゚むタヌ収益
15%
keyboard_arrow_down
  • 販売
  • 転送
むベント
単䟡
数量
開始日
終了日
日付