Skip to main content

Losing a parent. What could it look like? A crash? A crime? An accident? Slow or fast?

I hereby present my mom - she stars in her own death scene - and myself: the daughter who is looking for the best possible death. Could it be possible to die together someday, I wondered. Controlling the inevitable: it may seem impossible. However, by attempting to, we may be able to cope with what we fear most.

As a daughter and a photographer, I had the opportunity to master the narrative by placing death on a stage, surrounded by various elements that could interfere with the way my mother might die. Fear and shock linger around like two actors who both want the lead role. And the world as we know it today functions as the décor. It gives me the idea that I am a snake charmer who controls the danger by letting my mom die over and over again. Until we reach the grand finale and 'control' itself can be bitten by one of the snakes.

Every Woman Biennial collection image

The EVERY WOMAN BIENNIAL is a celebration of: uplifting women, non-binary artists, creating opportunities, encouragement, connection, community, inspiration and love. Bringing together established artists alongside hundreds of emerging artists, some showing for the first time. The Biennial launched in NYC in 2014 by founder C. Finley, originally under the name, The Whitney Houston Biennial, as a way to provide a platform and exposure for more female artists.

コントラクトのアドレス0x495f...7b5e
トヌクン ID
トヌクン暙準ERC-1155
チェヌンEthereum
メタデヌタ集䞭
クリ゚むタヌ収益
10%

"Pieta" By Pippilotta Yerna

visibility
245 閲芧回数
  • 䟡栌
    米ドル䟡栌
    数量
    有効期限
    送信元
  • 䟡栌
    米ドル䟡栌
    数量
    最䜎䟡栌差
    有効期限
    送信元
keyboard_arrow_down
むベント
䟡栌
開始日
終了日
日付

"Pieta" By Pippilotta Yerna

visibility
245 閲芧回数
  • 䟡栌
    米ドル䟡栌
    数量
    有効期限
    送信元
  • 䟡栌
    米ドル䟡栌
    数量
    最䜎䟡栌差
    有効期限
    送信元

Losing a parent. What could it look like? A crash? A crime? An accident? Slow or fast?

I hereby present my mom - she stars in her own death scene - and myself: the daughter who is looking for the best possible death. Could it be possible to die together someday, I wondered. Controlling the inevitable: it may seem impossible. However, by attempting to, we may be able to cope with what we fear most.

As a daughter and a photographer, I had the opportunity to master the narrative by placing death on a stage, surrounded by various elements that could interfere with the way my mother might die. Fear and shock linger around like two actors who both want the lead role. And the world as we know it today functions as the décor. It gives me the idea that I am a snake charmer who controls the danger by letting my mom die over and over again. Until we reach the grand finale and 'control' itself can be bitten by one of the snakes.

Every Woman Biennial collection image

The EVERY WOMAN BIENNIAL is a celebration of: uplifting women, non-binary artists, creating opportunities, encouragement, connection, community, inspiration and love. Bringing together established artists alongside hundreds of emerging artists, some showing for the first time. The Biennial launched in NYC in 2014 by founder C. Finley, originally under the name, The Whitney Houston Biennial, as a way to provide a platform and exposure for more female artists.

コントラクトのアドレス0x495f...7b5e
トヌクン ID
トヌクン暙準ERC-1155
チェヌンEthereum
メタデヌタ集䞭
クリ゚むタヌ収益
10%
keyboard_arrow_down
むベント
䟡栌
開始日
終了日
日付