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Auntie’s Factory', a continuation of the 'Spa Menu' story, focuses on a factory where aunties produce giant sushi rolls for various purposes other than eating. The imagery captures the social life of the aunties within the factory and the complex network of sushi production belts. The concept of sushi, typically associated with freshness, being produced in a factory setting, creates a sense of discomfort and 'wrongness'. This chapter in the Auntieverse shows the factory's integration into the urban landscape and its internal environment. Inside, aunties are seen socialising in the canteen, relaxing in large ramen bowls, participating in group yoga sessions, or moving around the facility on giant sushi rolls. These scenes reveal the day-to-day life in 'Auntie’s Factory', adding another layer to the Auntieverse.
Born in the 1980s, during the nation-building years of Singapore, the artist behind "Niceaunties" experienced a childhood shaped by the influential women in their family. From infancy to the age of nine, they lived with grandparents, aunties, and uncles while their parents worked.
"Niceaunties" was conceived as a response to these experiences. Utilizing AI, the artist created a surreal world where every suppressed being could exist freely and without judgment. "Niceaunties" represents the collective subconscious of all 'aunties,' celebrating self-love, risk-taking, fun, and freedom through self-expression. It provides a unique perspective on endearing, absurd, and sometimes negative behaviors. It serves as a commentary on societal norms imposed on women and the efforts women make to conform to these expectations. "Niceaunties" is a gentle yet powerful rebellion against these constraints.
Chapter No. 3, Factory #0211
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197 閲覧回数- 価格米ドル価格数量有効期限送信元
- 価格米ドル価格数量最低価格差有効期限送信元
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Chapter No. 3, Factory #0211
所有者
Antxx_vault
1
#
101visibility
197 閲覧回数- 価格米ドル価格数量有効期限送信元
- 価格米ドル価格数量最低価格差有効期限送信元
Auntie’s Factory', a continuation of the 'Spa Menu' story, focuses on a factory where aunties produce giant sushi rolls for various purposes other than eating. The imagery captures the social life of the aunties within the factory and the complex network of sushi production belts. The concept of sushi, typically associated with freshness, being produced in a factory setting, creates a sense of discomfort and 'wrongness'. This chapter in the Auntieverse shows the factory's integration into the urban landscape and its internal environment. Inside, aunties are seen socialising in the canteen, relaxing in large ramen bowls, participating in group yoga sessions, or moving around the facility on giant sushi rolls. These scenes reveal the day-to-day life in 'Auntie’s Factory', adding another layer to the Auntieverse.
Born in the 1980s, during the nation-building years of Singapore, the artist behind "Niceaunties" experienced a childhood shaped by the influential women in their family. From infancy to the age of nine, they lived with grandparents, aunties, and uncles while their parents worked.
"Niceaunties" was conceived as a response to these experiences. Utilizing AI, the artist created a surreal world where every suppressed being could exist freely and without judgment. "Niceaunties" represents the collective subconscious of all 'aunties,' celebrating self-love, risk-taking, fun, and freedom through self-expression. It provides a unique perspective on endearing, absurd, and sometimes negative behaviors. It serves as a commentary on societal norms imposed on women and the efforts women make to conform to these expectations. "Niceaunties" is a gentle yet powerful rebellion against these constraints.
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- 転送
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