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Void, no time, no space. Animation generated using my rubber-stamped artworks as tools. The process involves a bunch of softwares to render the artwork in three dimensions and create a slow fading. This series of works is an evolution of my research with rubberstamps, materials and inks and reflects my idea of mutability.

Timefoldables collection image

Animations generated using my rubber-stamped artworks as tools. The process involves a bunch of softwares to render the artwork in three dimensions and create a slow fading. This series of works is an evolution of my research with rubberstamps, materials and inks and reflects my idea of mutability. - More information.

カテゎリヌ Art
コントラクトのアドレス0x2f71...5587
トヌクン ID5
トヌクン暙準ERC-721
チェヌンEthereum
クリ゚むタヌ収益
10%

Void

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16 閲芧回数
  • 䟡栌
    米ドル䟡栌
    数量
    有効期限
    送信元
  • 䟡栌
    米ドル䟡栌
    数量
    最䜎䟡栌差
    有効期限
    送信元
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Void

visibility
16 閲芧回数
  • 䟡栌
    米ドル䟡栌
    数量
    有効期限
    送信元
  • 䟡栌
    米ドル䟡栌
    数量
    最䜎䟡栌差
    有効期限
    送信元

Void, no time, no space. Animation generated using my rubber-stamped artworks as tools. The process involves a bunch of softwares to render the artwork in three dimensions and create a slow fading. This series of works is an evolution of my research with rubberstamps, materials and inks and reflects my idea of mutability.

Timefoldables collection image

Animations generated using my rubber-stamped artworks as tools. The process involves a bunch of softwares to render the artwork in three dimensions and create a slow fading. This series of works is an evolution of my research with rubberstamps, materials and inks and reflects my idea of mutability. - More information.

カテゎリヌ Art
コントラクトのアドレス0x2f71...5587
トヌクン ID5
トヌクン暙準ERC-721
チェヌンEthereum
クリ゚むタヌ収益
10%
keyboard_arrow_down
むベント
䟡栌
開始日
終了日
日付