In Liber Novus (The Red Book) Carl G. Jung recorded his plunge into the unconscious, confronting dream‑figures that later inspired his theories of archetypes, individuation, and the collective unconscious. Those painted visions were not aesthetic flourishes but field notes from an interior underworld, evidence that symbolic images can guide psychic evolution when reason falters.

The Greek daimon is not a devil but a tutelary spirit, a messenger between mortal and divine. Each mask functions as such a guardian, distilling archetypal roles, the Warrior, the Oracle, the Wild Childl into vivid talismans. Like ritual masks in ancient ceremonies, they bridge worlds, letting contemporary souls converse with timeless myth while bathing in prismatic afterglow.

In Liber Novus (The Red Book) Carl G. Jung recorded his plunge into the unconscious, confronting dream‑figures that later inspired his theories of archetypes, individuation, and the collective unconscious. Those painted visions were not aesthetic flourishes but field notes from an interior underworld, evidence that symbolic images can guide psychic evolution when reason falters.

The Greek daimon is not a devil but a tutelary spirit, a messenger between mortal and divine. Each mask functions as such a guardian, distilling archetypal roles, the Warrior, the Oracle, the Wild Childl into vivid talismans. Like ritual masks in ancient ceremonies, they bridge worlds, letting contemporary souls converse with timeless myth while bathing in prismatic afterglow.