![](https://i.seadn.io/s/raw/files/294343bc9fd87ca0e62595df5067645d.png?auto=format&dpr=1&w=1000)
![](https://i.seadn.io/s/raw/files/294343bc9fd87ca0e62595df5067645d.png?auto=format&dpr=1&w=1000)
The following music NFT is my initial response to Paul Delaroche's ‘The Christian Martyr,’ recorded on Mar 2 via voice memo at a private residence in New York, NY. The cover art is a sineprint (a graphed room frequency response) of my room there.
In the opening of this sketch I’m trying to mimic what I’m really hearing: the Halo. Ideally this effect would happen on some kind of chime, or celeste, or wine glass… not sure how I will recreate it with an orchestra. I feel that the weight of the low register of the cello captures well the body of the martyr as she sinks into the water…
Halo : for DELAROCHE
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Halo : for DELAROCHE
![](https://i.seadn.io/s/raw/files/294343bc9fd87ca0e62595df5067645d.png?auto=format&dpr=1&w=1000)
- PrixPrix en USDQuantitéExpirationDe
- PrixPrix en USDQuantitéDifférence avec le prix plancherExpirationDe
The following music NFT is my initial response to Paul Delaroche's ‘The Christian Martyr,’ recorded on Mar 2 via voice memo at a private residence in New York, NY. The cover art is a sineprint (a graphed room frequency response) of my room there.
In the opening of this sketch I’m trying to mimic what I’m really hearing: the Halo. Ideally this effect would happen on some kind of chime, or celeste, or wine glass… not sure how I will recreate it with an orchestra. I feel that the weight of the low register of the cello captures well the body of the martyr as she sinks into the water…