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Bio
I use art as a means to navigate life experiences and personal traumas, working across vector illustration, collage, and generative media. In my video work, I experiment with building intricate webs of process—layering, distorting, and breaking down material until it occupies a space between clarity and abstraction. My practice is guided by a fascination with how systems can be stretched, unraveled, and reshaped—much like the act of deconstructing oneself in search of answers. Balancing technical experimentation with emotional intent, I use digital tools to peel back new layers of process and create points of connection.
Tustont

Tustont

Ethereum
3
Okt. 2025
Kunst
Ethereum
3
Gestartet Okt. 2025
Kunst
Mindestpreis
—
1d Etage %—
Top-Angebot
0,001 WETH
24-Stunden-Volumen0,00 ETH
Gesamtvolumen0,00 ETH
gelistet0 %
Besitzer (einzigartig)3 (100 %)

Tustont
Tustont

Ethereum
3
Okt. 2025
Kunst
Ethereum
3
Gestartet Okt. 2025
Kunst
Artikel
Angebote
Besitzer
Merkmale
Aktivität
Über uns

Tustont

Ethereum
3
Okt. 2025
Kunst
Ethereum
3
Gestartet Okt. 2025
Kunst
Mindestpreis
—
1d Etage %—
Top-Angebot
0,001 WETH
24-Stunden-Volumen0,00 ETH
Gesamtvolumen0,00 ETH
gelistet0 %
Besitzer (einzigartig)3 (100 %)

Tustont
Tustont

Ethereum
3
Okt. 2025
Kunst
Ethereum
3
Gestartet Okt. 2025
Kunst
Artikel
Angebote
Besitzer
Merkmale
Aktivität
Über uns
Bio
I use art as a means to navigate life experiences and personal traumas, working across vector illustration, collage, and generative media. In my video work, I experiment with building intricate webs of process—layering, distorting, and breaking down material until it occupies a space between clarity and abstraction. My practice is guided by a fascination with how systems can be stretched, unraveled, and reshaped—much like the act of deconstructing oneself in search of answers. Balancing technical experimentation with emotional intent, I use digital tools to peel back new layers of process and create points of connection.
Tustont
Bio
I use art as a means to navigate life experiences and personal traumas, working across vector illustration, collage, and generative media. In my video work, I experiment with building intricate webs of process—layering, distorting, and breaking down material until it occupies a space between clarity and abstraction. My practice is guided by a fascination with how systems can be stretched, unraveled, and reshaped—much like the act of deconstructing oneself in search of answers. Balancing technical experimentation with emotional intent, I use digital tools to peel back new layers of process and create points of connection.
Tustont