Harman's latest interlude painting, "Bourgeoisie Party," is a striking and provocative portrayal of the dark side of capitalism and patriarchy, as seen through the lens of a hotel lobby gathering. The artist masterfully captures the sinister nature of the scene by rendering the older, skeletal-looking businessmen in distorted forms, their thinning hair and unsettling smiles emphasizing their moral decay. The broken paint technique only serves to heighten the sense of unease, alluding to the flawed nature of the relationships depicted, as well as the perpetuation of patriarchal power structures.

The viewer is left to ponder the implications of such business deals, tainted by nepotism and driven by self-interest, as well as the broader implications for society as a whole. In highlighting the role of patriarchy in shaping these dynamics, Harman's work urges us to confront the ways in which this system of power enables and sustains exploitation and greed. Ultimately, "Bourgeoisie Party" stands as a powerful critique of the corruption that often lurks beneath the polished veneer of the bourgeoisie, challenging us to question and dismantle the unjust foundations on which it is built.