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Von umutusu
Von umutusu

Et comme dans ce jeu où les Japonais s'amusent à tremper dans un bol de porcelaine rempli d'eau, de petits morceaux de papier jusque-là indistincts qui, à peine y sont-ils plongés s'étirent, se contournent, se colorent, se différencient, deviennent des fleurs, des maisons, des personnages consistants et reconnaissables, de même maintenant toutes les fleurs de notre jardin et celles du parc de M. Swann, et les nymphéas de la Vivonne, et les bonnes gens du village et leurs petits logis et l'église et tout Combray et ses environs, tout cela qui prend forme et solidité, est sorti, ville et jardins, de ma tasse de thé.

(And just as the Japanese amuse themselves by filling a porcelain bowl with water and steeping in it little crumbs of paper which until then are without character or form, but, the moment they become wet, stretch themselves and bend, take on colour and distinctive shape, become flowers or houses or people, permanent and recognisable, so in that moment all the flowers in our garden and in M. Swann’s park, and the water-lilies on the Vivonne and the good folk of the village and their little dwellings and the parish church and the whole of Combray and of its surroundings, taking their proper shapes and growing solid, sprang into being, town and gardens alike, all from my cup of tea.)

L'enfance - A la recherche du temps perdu collection image

It was originally a 3 pieces collection of computer-generated sculptures, reflections to a novel in seven volumes, with the same title, by French author Marcel Proust. Most specifically the "Madeleine moment".

They are simple, graphical, banal, half-real, and probably half rewritten memories of my childhood.

They are places, sounds, emotions, visuals; sometimes so specific, sometimes a memory of fiction blended with reality, and sometimes both.

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#1 - L’oiseau, l’escargot et le sel

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#1 - L’oiseau, l’escargot et le sel

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Von umutusu
Von umutusu

Et comme dans ce jeu où les Japonais s'amusent à tremper dans un bol de porcelaine rempli d'eau, de petits morceaux de papier jusque-là indistincts qui, à peine y sont-ils plongés s'étirent, se contournent, se colorent, se différencient, deviennent des fleurs, des maisons, des personnages consistants et reconnaissables, de même maintenant toutes les fleurs de notre jardin et celles du parc de M. Swann, et les nymphéas de la Vivonne, et les bonnes gens du village et leurs petits logis et l'église et tout Combray et ses environs, tout cela qui prend forme et solidité, est sorti, ville et jardins, de ma tasse de thé.

(And just as the Japanese amuse themselves by filling a porcelain bowl with water and steeping in it little crumbs of paper which until then are without character or form, but, the moment they become wet, stretch themselves and bend, take on colour and distinctive shape, become flowers or houses or people, permanent and recognisable, so in that moment all the flowers in our garden and in M. Swann’s park, and the water-lilies on the Vivonne and the good folk of the village and their little dwellings and the parish church and the whole of Combray and of its surroundings, taking their proper shapes and growing solid, sprang into being, town and gardens alike, all from my cup of tea.)

L'enfance - A la recherche du temps perdu collection image

It was originally a 3 pieces collection of computer-generated sculptures, reflections to a novel in seven volumes, with the same title, by French author Marcel Proust. Most specifically the "Madeleine moment".

They are simple, graphical, banal, half-real, and probably half rewritten memories of my childhood.

They are places, sounds, emotions, visuals; sometimes so specific, sometimes a memory of fiction blended with reality, and sometimes both.

Vertragsadresse0xb8f2...c4a8
Token-ID1
Token-StandardERC-721
ChainEthereum
Letzte Aktualisierungvor 1 Jahr
Erstellergebühren
10%
keyboard_arrow_down
Ereignis
Preis
Von
An
Datum