Bomb Story: Much of streetwear's origins boil down to the graphic T-shirt. The most notable aspect of the art is its roots in parody and commentary. There's a David vs. Goliath attitude that comes with stealing a familiar logo, especially one that's corporate, and tweaking it to serve a new message. Even The Hundreds' ""Bar"" is a take on a football team's typography. Although Andy Warhol wasn't a parody artist per se, his Soup Cans are iconic for interpreting a commercial, manufactured product as painted canvases. In fact, like NFT collectibles, Warhol delivered 32 Soup Cans (one for every flavor) to the dealer Irving Blum in 1962. Not coincidentally, there are 32 Screen Adams, but we only curated a select few for the ABS collectibles.| Background Story: Originating in Scotland as ""tartan,"" we now call this pattern of crisscrossed lines ""Plaid."" Growing up in Southern California during the '80s and '90s, plaid beach volleyball shorts were always in our purview, thanks to labels like Mossimo and Stüssy. When we elevated to making cut-n-sew apparel like button-ups in the early 2000s, plaids made their way into our language as a nod to both the surf culture of the West Coast and Polo's influence on the East. In fact, every plaid speaks to a different subculture. Buffalo plaids were woven into the early New York hip-hop lumberjacks. Shadow plaids on swap meet Pendletons. And The Hundreds plaids, for all.