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Von JGrobe
Von JGrobe

The Silhouette Series: 1/6

Nearing the halfway mark, I began carving with the light - highlighting edges to play with the form of The Apple.

Frame #: 223/500

Photographer's DNA collection image

This collection was forged during lockdown, when stages were dark and I had no concerts to capture.

The Challenge: Capture 500 Distinct Images of an Apple. One Subject, One Fixed Focal Length Lens, One Light Source, and One Location, with No Breaks, No Research, and No Editing.

All images were captured with a desk lamp, a black marble countertop, a vintage 1980 Olympics edition Jupiter 37A lens (135mm f/3.5), and my Fujifilm X-T3. Like the film photography the Jupiter lens was originally built for, every frame remains unaltered - Straight-Out-Of-Camera.

The full results of the exercise were culled to a presentable 50 frames - Frame #500 won the challenge.

The process was meant to narrow the creative band so dramatically that predetermined visions of a subject would fall away, encouraging new perspectives that break through technical "rules" and subconscious biases to unlock one's true creativity.

What remains in the absence of external variability?

The Photographer's DNA

Kategorie „Photography
Vertragsadresse0x495f...7b5e
Token-ID
Token-StandardERC-1155
ChainEthereum
MetadatenZentralisiert
Erstellergebühren
10%

Visions of an Apple - #26

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Visions of an Apple - #26

visibility
11 Ansichten
  • Preis
    Preis in USD
    Menge
    Ablaufdatum
    Von
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Von JGrobe
Von JGrobe

The Silhouette Series: 1/6

Nearing the halfway mark, I began carving with the light - highlighting edges to play with the form of The Apple.

Frame #: 223/500

Photographer's DNA collection image

This collection was forged during lockdown, when stages were dark and I had no concerts to capture.

The Challenge: Capture 500 Distinct Images of an Apple. One Subject, One Fixed Focal Length Lens, One Light Source, and One Location, with No Breaks, No Research, and No Editing.

All images were captured with a desk lamp, a black marble countertop, a vintage 1980 Olympics edition Jupiter 37A lens (135mm f/3.5), and my Fujifilm X-T3. Like the film photography the Jupiter lens was originally built for, every frame remains unaltered - Straight-Out-Of-Camera.

The full results of the exercise were culled to a presentable 50 frames - Frame #500 won the challenge.

The process was meant to narrow the creative band so dramatically that predetermined visions of a subject would fall away, encouraging new perspectives that break through technical "rules" and subconscious biases to unlock one's true creativity.

What remains in the absence of external variability?

The Photographer's DNA

Kategorie „Photography
Vertragsadresse0x495f...7b5e
Token-ID
Token-StandardERC-1155
ChainEthereum
MetadatenZentralisiert
Erstellergebühren
10%
keyboard_arrow_down
Ereignis
Preis
Von
An
Datum