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Von CVRD
Von CVRD

COVERED CARS
CVRD by Karin Apollonia Müller and Peter Nitsch

Karin Apollonia Müller and Peter Nitsch, both German lens-based artists, have been photographing covered cars over the last couple of years. Müller in Los Angeles, California, Nitsch in Bangkok, Thailand. Müller uses an ethereal palette of muted tones during daylight to sunset whereas Nitsch makes use of the nightly silence of colored spotlights and vibrant fluorescent street lights. Müller consequently horizontal, Nitsch consequently vertical.

Both positions go beyond a typological approach in the sense of the german traditional Becher school fostering an attitude of detached observation and striking picture detail. They both explore the nexus of cultural understanding and the allure of the unknown and hidden, mystery and certainty, conspiracy and truth.

66 CVRD cars minted on a Manifold contract, CVRD is broken down into the following categories:

Tier 1: 10 CVRD cars (5 by each artist)
Tier 2: 24 CVRD cars (12 by each artist)
Tier 3: 20 CVRD cars (10 by each artist)
Grail: 10 CVRD cars (5 by each artist)
Trophy: 2 CVRD cars (1 by each artist)

Photographers:
https://karinapolloniamueller.com
https://peternitsch.com

CVRD by Karin Apollonia Mueller and Peter Nitsch collection image

CVRD - 1/1 collection of 66 covered cars | 33 photographs by Karin Apollonia Müller | 33 photographs by Peter Nitsch

Karin Apollonia Müller and Peter Nitsch, both German lens-based artists, have been photographing covered cars over the last couple of years. Müller in Los Angeles, California, Nitsch in Bangkok, Thailand. Müller uses an ethereal palette of muted tones during daylight to sunset whereas Nitsch makes use of the nightly silence of colored spotlights and vibrant fluorescent street lights. Müller consequently horizontal, Nitsch consequently vertical.

Both positions go beyond a typological approach in the sense of the german traditional Becher school fostering an attitude of detached observation and striking picture detail. They both explore the nexus of cultural understanding and the allure of the unknown and hidden, mystery and certainty, conspiracy and truth.

Photographers: https://karinapolloniamueller.com | 
https://peternitsch.com

Collection: https://cvrdcrs.com

Kategorie „Photography
Vertragsadresse0x091a...9814
Token-ID30
Token-StandardERC-721
ChainEthereum
Letzte Aktualisierungvor 2 Jahre
Erstellergebühren
10%

CVRD #37 by Peter Nitsch, Grail

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CVRD #37 by Peter Nitsch, Grail

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22 Ansichten
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Von CVRD
Von CVRD

COVERED CARS
CVRD by Karin Apollonia Müller and Peter Nitsch

Karin Apollonia Müller and Peter Nitsch, both German lens-based artists, have been photographing covered cars over the last couple of years. Müller in Los Angeles, California, Nitsch in Bangkok, Thailand. Müller uses an ethereal palette of muted tones during daylight to sunset whereas Nitsch makes use of the nightly silence of colored spotlights and vibrant fluorescent street lights. Müller consequently horizontal, Nitsch consequently vertical.

Both positions go beyond a typological approach in the sense of the german traditional Becher school fostering an attitude of detached observation and striking picture detail. They both explore the nexus of cultural understanding and the allure of the unknown and hidden, mystery and certainty, conspiracy and truth.

66 CVRD cars minted on a Manifold contract, CVRD is broken down into the following categories:

Tier 1: 10 CVRD cars (5 by each artist)
Tier 2: 24 CVRD cars (12 by each artist)
Tier 3: 20 CVRD cars (10 by each artist)
Grail: 10 CVRD cars (5 by each artist)
Trophy: 2 CVRD cars (1 by each artist)

Photographers:
https://karinapolloniamueller.com
https://peternitsch.com

CVRD by Karin Apollonia Mueller and Peter Nitsch collection image

CVRD - 1/1 collection of 66 covered cars | 33 photographs by Karin Apollonia Müller | 33 photographs by Peter Nitsch

Karin Apollonia Müller and Peter Nitsch, both German lens-based artists, have been photographing covered cars over the last couple of years. Müller in Los Angeles, California, Nitsch in Bangkok, Thailand. Müller uses an ethereal palette of muted tones during daylight to sunset whereas Nitsch makes use of the nightly silence of colored spotlights and vibrant fluorescent street lights. Müller consequently horizontal, Nitsch consequently vertical.

Both positions go beyond a typological approach in the sense of the german traditional Becher school fostering an attitude of detached observation and striking picture detail. They both explore the nexus of cultural understanding and the allure of the unknown and hidden, mystery and certainty, conspiracy and truth.

Photographers: https://karinapolloniamueller.com | 
https://peternitsch.com

Collection: https://cvrdcrs.com

Kategorie „Photography
Vertragsadresse0x091a...9814
Token-ID30
Token-StandardERC-721
ChainEthereum
Letzte Aktualisierungvor 2 Jahre
Erstellergebühren
10%
keyboard_arrow_down
Ereignis
Preis
Von
An
Datum