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Model: Lorena (0x56Be38CAEB5E2bf29D0229d226b4CA70726e548F)
A series in which I explore those moments of return through five contemporary women, who underwent the exercise of being lost in their privacy in front of the camera.
The exploration of this universe through the feminine has been a constant in my work and perhaps the initial inspiration was given to me by Edward Hopper, whose work studies those states of introspection, reverie, disconnection from the material world, especially with female characters. Particularly eloquent for me is his 1952 Morning Sun, in which his wife Josephine serves as a model.
In collaboration with Andrea Masia, Claudia Layrisse, Lorena Aliendres, and Patricia Heredia.
A series in which I explore those moments of return through five contemporary women, who underwent the exercise of being lost in their privacy in front of the camera.
The exploration of this universe through the feminine has been a constant in my work and perhaps the initial inspiration was given to me by Edward Hopper, whose work studies those states of introspection, reverie, disconnection from the material world, especially with female characters. Particularly eloquent for me is his 1952 Morning Sun, in which his wife Josephine serves as a model.
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Lorena #15
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Model: Lorena (0x56Be38CAEB5E2bf29D0229d226b4CA70726e548F)
A series in which I explore those moments of return through five contemporary women, who underwent the exercise of being lost in their privacy in front of the camera.
The exploration of this universe through the feminine has been a constant in my work and perhaps the initial inspiration was given to me by Edward Hopper, whose work studies those states of introspection, reverie, disconnection from the material world, especially with female characters. Particularly eloquent for me is his 1952 Morning Sun, in which his wife Josephine serves as a model.
In collaboration with Andrea Masia, Claudia Layrisse, Lorena Aliendres, and Patricia Heredia.
A series in which I explore those moments of return through five contemporary women, who underwent the exercise of being lost in their privacy in front of the camera.
The exploration of this universe through the feminine has been a constant in my work and perhaps the initial inspiration was given to me by Edward Hopper, whose work studies those states of introspection, reverie, disconnection from the material world, especially with female characters. Particularly eloquent for me is his 1952 Morning Sun, in which his wife Josephine serves as a model.
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