2
由 F48E3A
由 F48E3A
This piece began as a formal study in composition using simple layered shapes, but when I started experimenting with animation it took on a life of its own. The final work visualises in form, colour, and motion the tension between social conformity and self-expression. At times all of us are required to keep ourselves under control, so that we can live and work together without having to negotiate a thousand tiny idiosyncrasies. Other times we are free to act as wild as we like, but even within this freedom we often find ourselves expressing different kinds of alignment and harmonisation. Negotiating our lives involves finding a balance between these forces: conformity and harmony on one hand, and expression and freedom on the other. As long as we share space with others, we must always think about how our actions fit in with those of the people around us.
LIA has been making generative software art since 1995, and her work has been exhibited in museums and galleries worldwide. This piece extends her signature process of overlapping simple shapes in complex ways, applying a new quality of motion to paint and re-paint the composition, forming hypnotic, shifting patterns of movement and stillness.
Instructions Animation runs automatically - click/tap to pause and unpause
WARNING: This art work may potentially trigger seizures for people with photosensitive epilepsy. Viewer discretion is advised.
Art Blocks Collection: Presents
Heritage Art Blocks Collection: Factory
Project Description: This piece began as a formal study in composition using simple layered shapes, but when I started experimenting with animation it took on a life of its own. The final work visualises in form, colour, and motion the tension between social conformity and self-expression. At times all of us are required to keep ourselves under control, so that we can live and work together without having to negotiate a thousand tiny idiosyncrasies. Other times we are free to act as wild as we like, but even within this freedom we often find ourselves expressing different kinds of alignment and harmonisation. Negotiating our lives involves finding a balance between these forces: conformity and harmony on one hand, and expression and freedom on the other. As long as we share space with others, we must always think about how our actions fit in with those of the people around us.
LIA has been making generative software art since 1995, and her work has been exhibited in museums and galleries worldwide. This piece extends her signature process of overlapping simple shapes in complex ways, applying a new quality of motion to paint and re-paint the composition, forming hypnotic, shifting patterns of movement and stillness.
Instructions Animation runs automatically - click/tap to pause and unpause
WARNING: This art work may potentially trigger seizures for people with photosensitive epilepsy. Viewer discretion is advised.
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Being Yourself While Fitting In #10
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dbochman-vault
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81 檢視次數- 價格美元價格數量到期日從
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由 F48E3A
由 F48E3A
This piece began as a formal study in composition using simple layered shapes, but when I started experimenting with animation it took on a life of its own. The final work visualises in form, colour, and motion the tension between social conformity and self-expression. At times all of us are required to keep ourselves under control, so that we can live and work together without having to negotiate a thousand tiny idiosyncrasies. Other times we are free to act as wild as we like, but even within this freedom we often find ourselves expressing different kinds of alignment and harmonisation. Negotiating our lives involves finding a balance between these forces: conformity and harmony on one hand, and expression and freedom on the other. As long as we share space with others, we must always think about how our actions fit in with those of the people around us.
LIA has been making generative software art since 1995, and her work has been exhibited in museums and galleries worldwide. This piece extends her signature process of overlapping simple shapes in complex ways, applying a new quality of motion to paint and re-paint the composition, forming hypnotic, shifting patterns of movement and stillness.
Instructions Animation runs automatically - click/tap to pause and unpause
WARNING: This art work may potentially trigger seizures for people with photosensitive epilepsy. Viewer discretion is advised.
Art Blocks Collection: Presents
Heritage Art Blocks Collection: Factory
Project Description: This piece began as a formal study in composition using simple layered shapes, but when I started experimenting with animation it took on a life of its own. The final work visualises in form, colour, and motion the tension between social conformity and self-expression. At times all of us are required to keep ourselves under control, so that we can live and work together without having to negotiate a thousand tiny idiosyncrasies. Other times we are free to act as wild as we like, but even within this freedom we often find ourselves expressing different kinds of alignment and harmonisation. Negotiating our lives involves finding a balance between these forces: conformity and harmony on one hand, and expression and freedom on the other. As long as we share space with others, we must always think about how our actions fit in with those of the people around us.
LIA has been making generative software art since 1995, and her work has been exhibited in museums and galleries worldwide. This piece extends her signature process of overlapping simple shapes in complex ways, applying a new quality of motion to paint and re-paint the composition, forming hypnotic, shifting patterns of movement and stillness.
Instructions Animation runs automatically - click/tap to pause and unpause
WARNING: This art work may potentially trigger seizures for people with photosensitive epilepsy. Viewer discretion is advised.
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