3
由 431BD1
由 431BD1
For these GAN-generated AI Data Paintings, Refik Anadol Studio used machine intelligence to filter more than 100.000 photographs of all the Renaissance sculptures created between 1300-1600. Artificial intelligence learns and recreates visual textures that are emblematic of the stone and metal textures of Renaissance sculptures. As the machine re-imagines these historical works of powerful imagination, elevated craftsmanship, and distinguished acumen, these dynamic visuals change their shapes and colors, representing unique, immersive walks through the machine’s latent data universe.
Refik Anadol (b. 1985, Istanbul, Turkey) is a media artist, director and pioneer in the aesthetics of data and machine intelligence. His body of work locates creativity at the intersection of humans and machines. In taking the data that flows around us as the primary material and the neural network of a computerized mind as a collaborator, Anadol paints with a thinking brush, offering us radical visualizations of our digitized memories and expanding the possibilities of architecture, narrative, and the body in motion. Anadol’s site-specific AI data sculptures, live audio/visual performances, and immersive installations take many forms, while encouraging us to rethink our engagement with the physical world, its temporal and spatial dimensions, and the creative potential of machines.
Machine Hallucinations - Renaissance / Sculpture - A #4/5
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121 檢視次數- 價格美元價格數量到期日從
- 價格美元價格數量底價差額到期日從
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Machine Hallucinations - Renaissance / Sculpture - A #4/5
擁有者
RFC_ART
3
visibility
121 檢視次數- 價格美元價格數量到期日從
- 價格美元價格數量底價差額到期日從
由 431BD1
由 431BD1
For these GAN-generated AI Data Paintings, Refik Anadol Studio used machine intelligence to filter more than 100.000 photographs of all the Renaissance sculptures created between 1300-1600. Artificial intelligence learns and recreates visual textures that are emblematic of the stone and metal textures of Renaissance sculptures. As the machine re-imagines these historical works of powerful imagination, elevated craftsmanship, and distinguished acumen, these dynamic visuals change their shapes and colors, representing unique, immersive walks through the machine’s latent data universe.
Refik Anadol (b. 1985, Istanbul, Turkey) is a media artist, director and pioneer in the aesthetics of data and machine intelligence. His body of work locates creativity at the intersection of humans and machines. In taking the data that flows around us as the primary material and the neural network of a computerized mind as a collaborator, Anadol paints with a thinking brush, offering us radical visualizations of our digitized memories and expanding the possibilities of architecture, narrative, and the body in motion. Anadol’s site-specific AI data sculptures, live audio/visual performances, and immersive installations take many forms, while encouraging us to rethink our engagement with the physical world, its temporal and spatial dimensions, and the creative potential of machines.
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