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Pyongyang, 2017. A family poses in the central zoo of Pyongyang. I am often struck by the contrast provided by these couples. The man is often very martial, chin high, and the woman, more relaxed, seems drawn towards a certain modernity.
Stephan Gladieu began his career as a war photographer in 1989, criss-crossing through, among other places, Europe, Central Asia, China, India and the Middle East. He likes to bear witness to the human condition through the production of portraits as in his series Hereros, Maï Maï, Homo Detritus and North Korea. The latter project was selected to headline the Rencontres d'Arles in 2021.
Central Zoo I
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22 檢視次數- 價格美元價格數量到期日從
- 價格美元價格數量底價差額到期日從
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Central Zoo I
1
visibility
22 檢視次數- 價格美元價格數量到期日從
- 價格美元價格數量底價差額到期日從
Pyongyang, 2017. A family poses in the central zoo of Pyongyang. I am often struck by the contrast provided by these couples. The man is often very martial, chin high, and the woman, more relaxed, seems drawn towards a certain modernity.
Stephan Gladieu began his career as a war photographer in 1989, criss-crossing through, among other places, Europe, Central Asia, China, India and the Middle East. He likes to bear witness to the human condition through the production of portraits as in his series Hereros, Maï Maï, Homo Detritus and North Korea. The latter project was selected to headline the Rencontres d'Arles in 2021.
keyboard_arrow_down
活動
價格
從
到
日期
