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由 B4E398
由 B4E398
INFINITE is panel 1 of a triptych titled, Aberration This 1st triptych panel, acrylic on canvas 24 x 36”, was scanned using a hi-res flatbed process. The digital file is configured so it can be printed at 1:1/original size at gallery quality, or viewed Hi-res on a large ART monitor. I’ll paint a second work over the 1st original canvas, obscuring it in an organic way to create authentic scarcity. I’ll repeat this layering process twice on the original canvas. Each additional layer painted on top of the other obscures the art below. At the end of the Scarcity Obscura process, of which I am the 1st to develop, ONE art collector “could“ purchase the entire Aberration digital series, which would be 3 pieces of unique NFT CryptoArt, plus also the original canvas if they desire to purchase it too. A single collector could also own the entire Aberration triptych series of all three panels, plus the canvas, if they want. Also, different collectors could own just one single panel of the entire NFT series. Doriz Anderson
Scarcity Obscura … the concept is not new.
Masters practiced it without knowing their historical impact–by painting over a painting. Either they didn't like what they painted and ended up adding layer upon layer, or they just needed another canvas for fresh work.
Essentially, I do the same, except it’s 2021 and my triptych canvases are digitized into hi-res NFTs. My throwback to the Masters is that I paint over my acrylic canvases, and obscure them forever. Before I do though, I scan and digitize each panel for NFT posterity. Now you see it. Now you don’t.
My Aberration triptych series; INFINITE-FLOW-MANIFESTATION is a new twist on an old glitch. I’m a legacy canvas painter who lives and loves to experiment and take risk, and NFT seems to be a natural outlet for my curiosity. I’ve displayed in galleries and shows around the world, but by far, NFT is the most exciting adventure I’ve ever travelled.
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INFINITE
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由 B4E398
由 B4E398
INFINITE is panel 1 of a triptych titled, Aberration This 1st triptych panel, acrylic on canvas 24 x 36”, was scanned using a hi-res flatbed process. The digital file is configured so it can be printed at 1:1/original size at gallery quality, or viewed Hi-res on a large ART monitor. I’ll paint a second work over the 1st original canvas, obscuring it in an organic way to create authentic scarcity. I’ll repeat this layering process twice on the original canvas. Each additional layer painted on top of the other obscures the art below. At the end of the Scarcity Obscura process, of which I am the 1st to develop, ONE art collector “could“ purchase the entire Aberration digital series, which would be 3 pieces of unique NFT CryptoArt, plus also the original canvas if they desire to purchase it too. A single collector could also own the entire Aberration triptych series of all three panels, plus the canvas, if they want. Also, different collectors could own just one single panel of the entire NFT series. Doriz Anderson
Scarcity Obscura … the concept is not new.
Masters practiced it without knowing their historical impact–by painting over a painting. Either they didn't like what they painted and ended up adding layer upon layer, or they just needed another canvas for fresh work.
Essentially, I do the same, except it’s 2021 and my triptych canvases are digitized into hi-res NFTs. My throwback to the Masters is that I paint over my acrylic canvases, and obscure them forever. Before I do though, I scan and digitize each panel for NFT posterity. Now you see it. Now you don’t.
My Aberration triptych series; INFINITE-FLOW-MANIFESTATION is a new twist on an old glitch. I’m a legacy canvas painter who lives and loves to experiment and take risk, and NFT seems to be a natural outlet for my curiosity. I’ve displayed in galleries and shows around the world, but by far, NFT is the most exciting adventure I’ve ever travelled.
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