“Roman Pastucha’s work is overtly tragicomic, even as they show the ironic survival of classic iconography in post modern times, as in ‘Lady Liberty Abducted by the Centaur Mobil’ 2003, a witty use of classical theme to make a sociopolitical point about the power of big oil. presented on the sublime stage of traditional art, Pastucha’s black humor becomes all the more critical: the grandeur of art has been appropriated by big business.”
Donald Kuspit From his book “California New Old Masters” Art Critic, New York Times
Earring
- 價格美元價格數量到期日從
- 價格美元價格數量底價差額到期日從
“Roman Pastucha’s work is overtly tragicomic, even as they show the ironic survival of classic iconography in post modern times, as in ‘Lady Liberty Abducted by the Centaur Mobil’ 2003, a witty use of classical theme to make a sociopolitical point about the power of big oil. presented on the sublime stage of traditional art, Pastucha’s black humor becomes all the more critical: the grandeur of art has been appropriated by big business.”
Donald Kuspit From his book “California New Old Masters” Art Critic, New York Times