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"To be a user of machines is to be of the spirit of this century. Machines transmute the emptiness into space, that is into something which our minds can grasp as an organized unity." - Combined quote from Lazlo Maholy-Nagy and El Lissitzky

Lazlo Lissitzky is a fictional composite of these two towering figures written as a script to generate modernist/bahuaus/mid-century Swiss modern design. The outputs from the program are curated by sgt_slaughtermelon and named as the titles of fictional events/books/albums etc. that Lazlo Lissitsky would have contributed design work for in his career spanning roughly 1912-1999. Some titles have oblique references, some are just plays on words, and some are simply what they appear to be: dull uses that domesticated the modernist art movement into something as everyday and ordinary as we are used to.

The program becomes more complex with each wave of releases, but retains backwards compatibility for the most part so that previous outputs are still theoretically possible. The flashes of zen that come with simple designs created by chance make what would otherwise be boring into a moment of appreciation for simplicity.

Lazlo Lissitsky collection image

Lazlo Lissitsky is a generative modernist project drawing on Suprematism, the Bauhaus, and Swiss Modern graphic design. The synthetic artist that created these works is a mashup of László Moholy-Nagy and El Lissitzky, and the works are titled after fictional books/pamphlets/albums that Lazlo Lissitsky designed covers for circa 1919-1999. This project was released in 7 waves, and pronounced complete at 383 works.

Art類別
合約地址0x495f...7b5e
代幣 ID
代幣標準ERC-1155
區塊鏈Ethereum
中繼資料集中式
創作者收益
10%

Lazlo Lissitsky - Fetching Looks for Fender-Benders: Auto Accident Fashion, Millicent Baldstrom, 1981.

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Lazlo Lissitsky - Fetching Looks for Fender-Benders: Auto Accident Fashion, Millicent Baldstrom, 1981.

visibility
47 檢視次數
  • 價格
    美元價格
    數量
    到期日
  • 價格
    美元價格
    數量
    底價差額
    到期日

"To be a user of machines is to be of the spirit of this century. Machines transmute the emptiness into space, that is into something which our minds can grasp as an organized unity." - Combined quote from Lazlo Maholy-Nagy and El Lissitzky

Lazlo Lissitzky is a fictional composite of these two towering figures written as a script to generate modernist/bahuaus/mid-century Swiss modern design. The outputs from the program are curated by sgt_slaughtermelon and named as the titles of fictional events/books/albums etc. that Lazlo Lissitsky would have contributed design work for in his career spanning roughly 1912-1999. Some titles have oblique references, some are just plays on words, and some are simply what they appear to be: dull uses that domesticated the modernist art movement into something as everyday and ordinary as we are used to.

The program becomes more complex with each wave of releases, but retains backwards compatibility for the most part so that previous outputs are still theoretically possible. The flashes of zen that come with simple designs created by chance make what would otherwise be boring into a moment of appreciation for simplicity.

Lazlo Lissitsky collection image

Lazlo Lissitsky is a generative modernist project drawing on Suprematism, the Bauhaus, and Swiss Modern graphic design. The synthetic artist that created these works is a mashup of László Moholy-Nagy and El Lissitzky, and the works are titled after fictional books/pamphlets/albums that Lazlo Lissitsky designed covers for circa 1919-1999. This project was released in 7 waves, and pronounced complete at 383 works.

Art類別
合約地址0x495f...7b5e
代幣 ID
代幣標準ERC-1155
區塊鏈Ethereum
中繼資料集中式
創作者收益
10%
keyboard_arrow_down
活動
價格
日期