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Lazlo Lissitsky is a program and an artist with a goal of becoming an amalgam of El Lissitzky and Lazlo Maholy-Nagy - a tribute to their modernist legacy of art. Using Processing to create generative compositions with hundreds of range functions, a wholly unguided creation of art that strikes an ordinary person as actual artwork of aesthetic value is a meaningful goal. The program is always developing, and new functions, palettes, and methods are being developed over the course of months.

The titles of the works are a sardonic commentary on the rather pedestrian use that so much amazing swiss modern and bauhaus style design was put to. The covers of books about ordinary things, pamphlets and brochures and posters - the fact that high-art was seen as separate from some of these amazing simple designs means that when we think about the legacy of Lazlo Lissitsky, it could have very well been a career spent creating designs for ordinary things. These are the fictitious ordinary things that Lazo's work was used for.

Lazlo Lissitsky collection image

Lazlo Lissitsky is a generative modernist project drawing on Suprematism, the Bauhaus, and Swiss Modern graphic design. The synthetic artist that created these works is a mashup of László Moholy-Nagy and El Lissitzky, and the works are titled after fictional books/pamphlets/albums that Lazlo Lissitsky designed covers for circa 1919-1999. This project was released in 7 waves, and pronounced complete at 383 works.

Art類別
合約地址0x495f...7b5e
代幣 ID
代幣標準ERC-1155
區塊鏈Ethereum
中繼資料集中式
創作者收益
10%

Lazlo Lissitsky - Gin and the Blossoms of Belvedere, A Microhistory, by Yelevi Brownstein, 1989.

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Lazlo Lissitsky - Gin and the Blossoms of Belvedere, A Microhistory, by Yelevi Brownstein, 1989.

visibility
100 檢視次數
  • 價格
    美元價格
    數量
    到期日
  • 價格
    美元價格
    數量
    底價差額
    到期日

Lazlo Lissitsky is a program and an artist with a goal of becoming an amalgam of El Lissitzky and Lazlo Maholy-Nagy - a tribute to their modernist legacy of art. Using Processing to create generative compositions with hundreds of range functions, a wholly unguided creation of art that strikes an ordinary person as actual artwork of aesthetic value is a meaningful goal. The program is always developing, and new functions, palettes, and methods are being developed over the course of months.

The titles of the works are a sardonic commentary on the rather pedestrian use that so much amazing swiss modern and bauhaus style design was put to. The covers of books about ordinary things, pamphlets and brochures and posters - the fact that high-art was seen as separate from some of these amazing simple designs means that when we think about the legacy of Lazlo Lissitsky, it could have very well been a career spent creating designs for ordinary things. These are the fictitious ordinary things that Lazo's work was used for.

Lazlo Lissitsky collection image

Lazlo Lissitsky is a generative modernist project drawing on Suprematism, the Bauhaus, and Swiss Modern graphic design. The synthetic artist that created these works is a mashup of László Moholy-Nagy and El Lissitzky, and the works are titled after fictional books/pamphlets/albums that Lazlo Lissitsky designed covers for circa 1919-1999. This project was released in 7 waves, and pronounced complete at 383 works.

Art類別
合約地址0x495f...7b5e
代幣 ID
代幣標準ERC-1155
區塊鏈Ethereum
中繼資料集中式
創作者收益
10%
keyboard_arrow_down
  • 銷售量
  • 轉移
活動
價格
日期