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The original image for this flip was taken driving through the East end of London in the early hours sometime 2002: An open exposure photograph taken on the artist's first digital camera, a E5000 Coolpix Nikon whilst living in London and travelling through Europe in the early 2000's.
Trained in film photography Anneke applies traditional photography techniques to digital technologies.
Anneke first started working with Mandala imagery around this time, whilst also regularly turning out physical artworks utilising lenticular technology.
Lenticular's lend themselves directly to NFT compositions in the form of animated flips as well as 3D prints. The animated works in this collection were designed for Lenticular prints in the early 2000's but never publicly exposed - until now as NFT's!
Mandalas are present in many ancient religions; spiritual geometric configurations that aim to represent our relationship to the infinite. Anneke has adapted the kaleidoscopic nature of the Mandala seeking to provoke a translation of the essence of the given subject matter.
To learn more about Anneke’s in-depth and dynamic art practice please visit her website.
The base images in this collection are open exposure photographs taken on the artist's first digital camera, a E5000 Cool pix Nikon whilst living in London and travelling through Europe in the early 2000's.
Anneke first started working with Mandala imagery around this time, whilst also regularly turning out physical artworks utilising lenticular technology.
Lenticular's lend themselves directly to NFT compositions in the form of animated flips as well as 3D prints. The animated works in this collection were designed for Lenticular prints in the early 2000's but never publicly exposed - until now as NFT's!
Mandalas are present in many ancient religions; spiritual geometric configurations that aim to represent our relationship to the infinite. Anneke has adapted the kaleidoscopic nature of the Mandala seeking to provoke a translation of the essence of the given subject matter.
To learn more about Anneke’s in-depth and dynamic art practice please visit her website.
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Burberry Heart - AAD1#004
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AnnekeArt
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visibility
10 檢視次數- 價格美元價格數量到期日從
- 價格美元價格數量底價差額到期日從
The original image for this flip was taken driving through the East end of London in the early hours sometime 2002: An open exposure photograph taken on the artist's first digital camera, a E5000 Coolpix Nikon whilst living in London and travelling through Europe in the early 2000's.
Trained in film photography Anneke applies traditional photography techniques to digital technologies.
Anneke first started working with Mandala imagery around this time, whilst also regularly turning out physical artworks utilising lenticular technology.
Lenticular's lend themselves directly to NFT compositions in the form of animated flips as well as 3D prints. The animated works in this collection were designed for Lenticular prints in the early 2000's but never publicly exposed - until now as NFT's!
Mandalas are present in many ancient religions; spiritual geometric configurations that aim to represent our relationship to the infinite. Anneke has adapted the kaleidoscopic nature of the Mandala seeking to provoke a translation of the essence of the given subject matter.
To learn more about Anneke’s in-depth and dynamic art practice please visit her website.
The base images in this collection are open exposure photographs taken on the artist's first digital camera, a E5000 Cool pix Nikon whilst living in London and travelling through Europe in the early 2000's.
Anneke first started working with Mandala imagery around this time, whilst also regularly turning out physical artworks utilising lenticular technology.
Lenticular's lend themselves directly to NFT compositions in the form of animated flips as well as 3D prints. The animated works in this collection were designed for Lenticular prints in the early 2000's but never publicly exposed - until now as NFT's!
Mandalas are present in many ancient religions; spiritual geometric configurations that aim to represent our relationship to the infinite. Anneke has adapted the kaleidoscopic nature of the Mandala seeking to provoke a translation of the essence of the given subject matter.
To learn more about Anneke’s in-depth and dynamic art practice please visit her website.
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