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Coatlicue is a major deity in the Aztec pantheon and regarded as the earth-mother goddess, both creator and destroyer, mother of the gods and mortals. Represented as an old woman, she symbolized the antiquity of earth worship and she presents one of the most fearsome figures in Aztec art. Coatlicue was also the patron of childbirth, was associated with warfare, governance and agriculture, and considered the female aspect of the primordial god Ometeotl. The goddess was worshipped in the spring ritual of Tozozontli in the rainy season and in the autumnal hunting festival of Quecholli, when an impersonator of the goddess was sacrificed. Prior to the Spanish Conquest, Coatlicue related to other female earth deities, such as Toci (Our Grandmother). Several sixteenth-century Spanish Colonial sources mention that Coatlicue belonged to a class of deities known as tzitzimime (deities related to the stars), who were considered terrifying and dangerous. For example, outside of the 360-days that formed the agricultural calendar (called the year count or xiuhpohualli), there were five extra “nameless” days. The Aztecs believed this was an ominous time when bad things could happen. The tzitzimime, for instance, could descend to the earth’s surface and eat people or at least wreak havoc, causing instability and fear. In Spanish Colonial chronicles, the tzitzimime are depicted with skeletonized faces and monster claws—similar to what we see in Coatlicue sculptures. These sources also call the tzitzimime demons or devils.

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Darkness is characterized by the absence of visible light. The emotional response of humans to darkness has led to many culturally different metaphorical usages. For example, in Christianity the first narrative of creation begins with darkness. Darkness is said to have existed before the world, then light was introduced. Death is perceived as the ultimate form of darkness, there has not been a single culture in the history of humankind that has not spent a significant amount of time thinking about death and darkness. It should be no surprise, therefore, that we attribute the mysterious processes of death and darkness to supernatural forces. Consequently, we have envisioned beings that usher souls from the mortal coil into the afterlife. These perceptions of darkness and death are largely associated with evil. However, this has not always been the case. In the past, darkness and death were seen as a part of natural order, something that had existed since the beginning of time.

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Coatlicue

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106 檢視次數
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    美元價格
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Coatlicue

visibility
106 檢視次數
  • 價格
    美元價格
    數量
    到期日
  • 價格
    美元價格
    數量
    底價差額
    到期日

Coatlicue is a major deity in the Aztec pantheon and regarded as the earth-mother goddess, both creator and destroyer, mother of the gods and mortals. Represented as an old woman, she symbolized the antiquity of earth worship and she presents one of the most fearsome figures in Aztec art. Coatlicue was also the patron of childbirth, was associated with warfare, governance and agriculture, and considered the female aspect of the primordial god Ometeotl. The goddess was worshipped in the spring ritual of Tozozontli in the rainy season and in the autumnal hunting festival of Quecholli, when an impersonator of the goddess was sacrificed. Prior to the Spanish Conquest, Coatlicue related to other female earth deities, such as Toci (Our Grandmother). Several sixteenth-century Spanish Colonial sources mention that Coatlicue belonged to a class of deities known as tzitzimime (deities related to the stars), who were considered terrifying and dangerous. For example, outside of the 360-days that formed the agricultural calendar (called the year count or xiuhpohualli), there were five extra “nameless” days. The Aztecs believed this was an ominous time when bad things could happen. The tzitzimime, for instance, could descend to the earth’s surface and eat people or at least wreak havoc, causing instability and fear. In Spanish Colonial chronicles, the tzitzimime are depicted with skeletonized faces and monster claws—similar to what we see in Coatlicue sculptures. These sources also call the tzitzimime demons or devils.

d3TH_lings collection image

Darkness is characterized by the absence of visible light. The emotional response of humans to darkness has led to many culturally different metaphorical usages. For example, in Christianity the first narrative of creation begins with darkness. Darkness is said to have existed before the world, then light was introduced. Death is perceived as the ultimate form of darkness, there has not been a single culture in the history of humankind that has not spent a significant amount of time thinking about death and darkness. It should be no surprise, therefore, that we attribute the mysterious processes of death and darkness to supernatural forces. Consequently, we have envisioned beings that usher souls from the mortal coil into the afterlife. These perceptions of darkness and death are largely associated with evil. However, this has not always been the case. In the past, darkness and death were seen as a part of natural order, something that had existed since the beginning of time.

合約地址0x495f...7b5e
代幣 ID
代幣標準ERC-1155
區塊鏈Ethereum
中繼資料集中式
創作者收益
10%
keyboard_arrow_down
活動
價格
日期