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由 NOZAL
由 NOZAL
Woman's tit on the Stock Exchange (Teta de mujer cotizando en Bolsa). This NFT is an image of the painting of the same title dated 1998 and made in oil on a 100 x 100 cm board. It alludes to the phenomenon that feminine beauty produces when it is analyzed under the gaze of power, since then it becomes a simple commercial operation. Although they tell the woman with flowers.
Originally, a total of 20 paintings make up the collection called "Art Dollar", which now become "NFTs Art-Dollar Cllection". The original works, painted in oil on 100 x 100 cm canvas, were exhibited for the first time in April 2003 at the Mehr Licht Gallery in San Juan de Puerto Rico, USA, prefaced by texts by the Spanish writers Raúl Guerra Garrido, Manuel Talens and Anna Maria Cian. The origin of that collection was the author's conference on "Art and the market" at the university forum in Clermont-Ferrand, France, in 1996. The formal scheme of each work gives meaning to the collection: two defined parts, the lower part being a representation of the dollar that overlaps the theme and imposes itself as an aesthetic mark.
Woman's tit on the Stock Exchange (Teta de mujer cotizando en Bolsa)
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NOZAL
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27 檢視次數- 價格美元價格數量到期日從
- 價格美元價格數量底價差額到期日從
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Woman's tit on the Stock Exchange (Teta de mujer cotizando en Bolsa)
擁有者
NOZAL
0
visibility
27 檢視次數- 價格美元價格數量到期日從
- 價格美元價格數量底價差額到期日從
由 NOZAL
由 NOZAL
Woman's tit on the Stock Exchange (Teta de mujer cotizando en Bolsa). This NFT is an image of the painting of the same title dated 1998 and made in oil on a 100 x 100 cm board. It alludes to the phenomenon that feminine beauty produces when it is analyzed under the gaze of power, since then it becomes a simple commercial operation. Although they tell the woman with flowers.
Originally, a total of 20 paintings make up the collection called "Art Dollar", which now become "NFTs Art-Dollar Cllection". The original works, painted in oil on 100 x 100 cm canvas, were exhibited for the first time in April 2003 at the Mehr Licht Gallery in San Juan de Puerto Rico, USA, prefaced by texts by the Spanish writers Raúl Guerra Garrido, Manuel Talens and Anna Maria Cian. The origin of that collection was the author's conference on "Art and the market" at the university forum in Clermont-Ferrand, France, in 1996. The formal scheme of each work gives meaning to the collection: two defined parts, the lower part being a representation of the dollar that overlaps the theme and imposes itself as an aesthetic mark.
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