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@solyaev
Flowers have absorbed the myths of this world.
Part of "Into the Warm Darkness" series
by Ivan Solyaev
2021
The owner receives a physical copy of the work printed and signed by the artist. The work will be printed specifically for the collector in a single copy.
Ivan Solyaev is a cult CG artist from Russia. For more than 10 years, he has been working on a series of digital works "ITWD" (Into the Warm Darkness ), in which he tries to answer for himself questions about the finitude of human existence and death.
Superchief Gallery is the world's 1st physical dedicated NFT gallery space. Since we opened our first digital art gallery in Soho back in 2016, Superchief has held the belief that digital-native artwork was an essential art form to include as part of the larger art movement of our era. We have had been running our version of a traditional art gallery space since 2012 and by 2016 we knew well that there wasn't a clear way to monetize digital artwork. But we felt strongly that just because we couldn't sell it at the present time, didn’t mean it should be kept apart from the art community at large. These are artists we feel are brilliant and exciting, and should be part of the cultural exchange.
050a - Ivan Solyaev - "Harpy" - 1 of 1
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050a - Ivan Solyaev - "Harpy" - 1 of 1
lock
9
visibility
299 檢視次數- 價格美元價格數量到期日從
- 價格美元價格數量底價差額到期日從
@solyaev
Flowers have absorbed the myths of this world.
Part of "Into the Warm Darkness" series
by Ivan Solyaev
2021
The owner receives a physical copy of the work printed and signed by the artist. The work will be printed specifically for the collector in a single copy.
Ivan Solyaev is a cult CG artist from Russia. For more than 10 years, he has been working on a series of digital works "ITWD" (Into the Warm Darkness ), in which he tries to answer for himself questions about the finitude of human existence and death.
Superchief Gallery is the world's 1st physical dedicated NFT gallery space. Since we opened our first digital art gallery in Soho back in 2016, Superchief has held the belief that digital-native artwork was an essential art form to include as part of the larger art movement of our era. We have had been running our version of a traditional art gallery space since 2012 and by 2016 we knew well that there wasn't a clear way to monetize digital artwork. But we felt strongly that just because we couldn't sell it at the present time, didn’t mean it should be kept apart from the art community at large. These are artists we feel are brilliant and exciting, and should be part of the cultural exchange.
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