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The rain, the footsteps, the asphalt, the pavement are haunted by the play of the clouds and the sun that dance within them by the play of the shadows, even out of Plato's cave these shadows continue to dance before us reflecting an unreal world, an epiphany of our wandering thoughts. 1152 photographs where unknown legs never cease to draw the outline of the earth
#NFTart #NFTdrop #NFT #NFTEexhibition #onlineexhibition #nftcollectible #nftcollection #nftcrypto #nftmarketplace #nftartist #nfts #nftcollectors #nftcommunity #nftcollection #opensea #nftcrypto #nftmarketpplace #nftcreator #paris #tokyo #cinematic
They are luminous scales that dress our pupils and leave the feeling of almost accessible scansions haunting us; one never bathes in the same river twice... The detours, and the nocturnal or diurnal wanderings, are found in the visual epiphanies whose random combinations harbour secrets that the gaze will embrace. Nothing can be heard, seen, smelled or touched, the effluence has passed beyond all possible captures, or else one must abandon oneself to it, and that takes time. Since it is time that is at stake here, the flow of time in a flatness that gives it back its memorial dimension, like an hourglass that lets the images slip by rather than the protean and multicoloured grains of encapsulated sand. Will you only take the time?
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A MORNING WALK FROM A CHAIR
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JPARTLIFE
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16 檢視次數- 價格美元價格數量到期日從
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The rain, the footsteps, the asphalt, the pavement are haunted by the play of the clouds and the sun that dance within them by the play of the shadows, even out of Plato's cave these shadows continue to dance before us reflecting an unreal world, an epiphany of our wandering thoughts. 1152 photographs where unknown legs never cease to draw the outline of the earth
#NFTart #NFTdrop #NFT #NFTEexhibition #onlineexhibition #nftcollectible #nftcollection #nftcrypto #nftmarketplace #nftartist #nfts #nftcollectors #nftcommunity #nftcollection #opensea #nftcrypto #nftmarketpplace #nftcreator #paris #tokyo #cinematic
They are luminous scales that dress our pupils and leave the feeling of almost accessible scansions haunting us; one never bathes in the same river twice... The detours, and the nocturnal or diurnal wanderings, are found in the visual epiphanies whose random combinations harbour secrets that the gaze will embrace. Nothing can be heard, seen, smelled or touched, the effluence has passed beyond all possible captures, or else one must abandon oneself to it, and that takes time. Since it is time that is at stake here, the flow of time in a flatness that gives it back its memorial dimension, like an hourglass that lets the images slip by rather than the protean and multicoloured grains of encapsulated sand. Will you only take the time?
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