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A Tour of Hypothetical Waterfalls is part of Remembrance of Things Future, a LACMA and Cactoid Labs initiative that engages artists working on the blockchain to reimagine the museum's encyclopedic collection. Building on the museum's ongoing experimentations with art and technology, LACMA and Cactoid Labs invited pioneering digital artists to select objects from the museum's holdings and create new digital editions inspired by a diverse selection of artworks. I was inspired by the series A Tour of Japanese Waterfalls by Katsushika Hokusai in the collection of LACMA. To create my series I isolated Hokusai's primary compositional elements and sought to understand their interactions. Using JavaScript and p5.js, these elements became the basis for my work. I selected one of the outputs from my algorithm for my first edition with LACMA. That output represents one of the nearly infinite possible outcomes that my code is capable of generating.–Monica Rizzolli Edition of 100
The Los Angeles County Museum of Art (LACMA) and Cactoid Labs present Remembrance of Things Future, an initiative that engages artists working on the blockchain to reimagine the museum's encyclopedic collection. Building on the museum's ongoing experimentations with art and technology, LACMA and Cactoid Labs invited pioneering digital artists Monica Rizzolli, Ix Shells, Jen Stark, Emily Xie and Sarah Zucker to select objects from the museum's holdings and create new digital editions inspired by a diverse selection of artworks. Utilizing tools such as generative code, dynamic software and video synthesizers, the artists created unique works that engage histories across various eras. The digital editions will be released on the blockchain in phases beginning March 2023. Following the museum's long tradition of collaborating with artists to create limited editions, a percentage of the proceeds from these new digital editions will support LACMA's Art + Technology Lab.
A Tour of Hypothetical Waterfalls by Monica Rizzolli #94/100
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A Tour of Hypothetical Waterfalls by Monica Rizzolli #94/100
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GrowingBamboo
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30 檢視次數- 價格美元價格數量到期日從
- 價格美元價格數量底價差額到期日從
A Tour of Hypothetical Waterfalls is part of Remembrance of Things Future, a LACMA and Cactoid Labs initiative that engages artists working on the blockchain to reimagine the museum's encyclopedic collection. Building on the museum's ongoing experimentations with art and technology, LACMA and Cactoid Labs invited pioneering digital artists to select objects from the museum's holdings and create new digital editions inspired by a diverse selection of artworks. I was inspired by the series A Tour of Japanese Waterfalls by Katsushika Hokusai in the collection of LACMA. To create my series I isolated Hokusai's primary compositional elements and sought to understand their interactions. Using JavaScript and p5.js, these elements became the basis for my work. I selected one of the outputs from my algorithm for my first edition with LACMA. That output represents one of the nearly infinite possible outcomes that my code is capable of generating.–Monica Rizzolli Edition of 100
The Los Angeles County Museum of Art (LACMA) and Cactoid Labs present Remembrance of Things Future, an initiative that engages artists working on the blockchain to reimagine the museum's encyclopedic collection. Building on the museum's ongoing experimentations with art and technology, LACMA and Cactoid Labs invited pioneering digital artists Monica Rizzolli, Ix Shells, Jen Stark, Emily Xie and Sarah Zucker to select objects from the museum's holdings and create new digital editions inspired by a diverse selection of artworks. Utilizing tools such as generative code, dynamic software and video synthesizers, the artists created unique works that engage histories across various eras. The digital editions will be released on the blockchain in phases beginning March 2023. Following the museum's long tradition of collaborating with artists to create limited editions, a percentage of the proceeds from these new digital editions will support LACMA's Art + Technology Lab.
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