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Morrisseau was a self-taught artist. He developed his own techniques and artistic vocabulary that captured ancient legends and images that came to him in visions or dreams. He was originally criticized by the native community because his images disclosed traditional spiritual knowledge. Initially he painted on any material that he could find, especially birchbark, and also moose hide. Dewdney encouraged him to use earth-tone colors and traditional material, which he thought were appropriate to Morrisseau's native style.

Morrisseau, who was bisexual, also produced erotic works featuring sexuality between male figures and between male and female figures. Most of these works are now held in private collections. Other works explored Indigenous conceptions of gender fluidity, such as his massive work Androgyny (1983), which was formerly exhibited at Rideau Hall.

此作品集尚無說明。

合約地址0x1b32...30aa
代幣 ID4
代幣標準ERC-721
區塊鏈Ethereum
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0%

ᒥᐢᑿᐱᐠ ᐊᓂᒥᑭ

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ᒥᐢᑿᐱᐠ ᐊᓂᒥᑭ

visibility
6 檢視次數
  • 價格
    美元價格
    數量
    到期日
  • 價格
    美元價格
    數量
    底價差額
    到期日

Morrisseau was a self-taught artist. He developed his own techniques and artistic vocabulary that captured ancient legends and images that came to him in visions or dreams. He was originally criticized by the native community because his images disclosed traditional spiritual knowledge. Initially he painted on any material that he could find, especially birchbark, and also moose hide. Dewdney encouraged him to use earth-tone colors and traditional material, which he thought were appropriate to Morrisseau's native style.

Morrisseau, who was bisexual, also produced erotic works featuring sexuality between male figures and between male and female figures. Most of these works are now held in private collections. Other works explored Indigenous conceptions of gender fluidity, such as his massive work Androgyny (1983), which was formerly exhibited at Rideau Hall.

此作品集尚無說明。

合約地址0x1b32...30aa
代幣 ID4
代幣標準ERC-721
區塊鏈Ethereum
創作者收益
0%
keyboard_arrow_down
活動
價格
日期