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41 EXPERIMENTS - TOKYO TRAINS

Decoupling perspective and focal plane from image, and motion from time; the final output is created by splicing a series of photos together, shot specifically for the purpose of using only a small section of each.

In contrast to traditional panoramic photography, this approach creates panoramic outputs that are extremely perspective-limited horizontally, forcing the viewer to focus only on the principal focal plane chosen by the artist.

A single image at 100% magnification reveals nothing out of place, but when combined and viewed as a panorama the output is antithetical to what we believe we should see when observing motion.

The composite outputs can be quite large, often hitting JPEG/PSB canvas limits (65,500px and 300,000px, respectively), and are potentially unlimited in size along one plane.

UNLOCKABLE: Full-res JPEGs and MP4 Videos

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