"If Kandinsky Had A Camera" series consists of two original still life pictures and six abstract collages that show how color and composition behave when two planes are superimposed on each other. As we can see, there can be only 4 straight contact angles. Through the contact of the diverging sides they create rectangular planes. The right angle is lonely in its size and only changes its direction. The sharp corner is the most intense of all. The passivity of the blunt corner, with almost no forward tension, gives it a light blue colouring. The blunt corner gradually loses its aggression, sharpness, and warmth, and in this it is remotely akin to a line without corners, which forms the third primary schematic form of the plane - the cirle. The circle, painted in yellow, when observed emits movement directed at the viewer - eccentric movement, the blue circle has a concentric movement, gradually moving away from the viewer. Red color is characterized by movement in itself, internally restless and mobile. In green, there is no any movement at all. (From the books "Point and Line on the Plane" and "On the Spiritual in Art").