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제작자 _WebArtGallery_
제작자 _WebArtGallery_
This painting is the result of a live performance that the author gave during the finissage of Synchronicity, the solo exhibition that opened Coco's Home Gallery in Cesena. The work belongs as a realization style to the Flowers project, characterized by an instinctive and material use of color that is thrown and smeared with the hands by the artist almost in a trance-like state. Despite this exposure to randomness, the result is an order emerging from chaos, a perfect synthesis of Dionysian and Apollonian. The title "Mario's Flowers" comes from a touching encounter that took place during the event.
Mauro Drudi was born in Cattolica, on the Adriatic coast, in December 1963. From a painter mother and a businessman father, he stopped painting in oil at the age of 7, stopped making advertising graphics at 15, stopped racing motorbikes at 20, studied at 21. He tries to fit into a "normal" life, but soon his artistic vein takes over. His reflections on the condition of women with the LEI project are significant, leading him to organize various personal exhibitions.
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I fiori di Mario
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제작자 _WebArtGallery_
제작자 _WebArtGallery_
This painting is the result of a live performance that the author gave during the finissage of Synchronicity, the solo exhibition that opened Coco's Home Gallery in Cesena. The work belongs as a realization style to the Flowers project, characterized by an instinctive and material use of color that is thrown and smeared with the hands by the artist almost in a trance-like state. Despite this exposure to randomness, the result is an order emerging from chaos, a perfect synthesis of Dionysian and Apollonian. The title "Mario's Flowers" comes from a touching encounter that took place during the event.
Mauro Drudi was born in Cattolica, on the Adriatic coast, in December 1963. From a painter mother and a businessman father, he stopped painting in oil at the age of 7, stopped making advertising graphics at 15, stopped racing motorbikes at 20, studied at 21. He tries to fit into a "normal" life, but soon his artistic vein takes over. His reflections on the condition of women with the LEI project are significant, leading him to organize various personal exhibitions.
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