Bomb Story: Much of streetwear's origins boil down to the graphic T-shirt. The most notable aspect of the art is its roots in parody and commentary. There's a David vs. Goliath attitude that comes with stealing a familiar logo, especially one that's corporate, and tweaking it to serve a new message. Even The Hundreds' ""Bar"" is a take on a football team's typography. Although Andy Warhol wasn't a parody artist per se, his Soup Cans are iconic for interpreting a commercial, manufactured product as painted canvases. In fact, like NFT collectibles, Warhol delivered 32 Soup Cans (one for every flavor) to the dealer Irving Blum in 1962. Not coincidentally, there are 32 Screen Adams, but we only curated a select few for the ABS collectibles.| Background Story: If there was ever a pattern that encapsulated The Hundreds, it would be Paisley. Our first big hit, the one that put us on the map, was the all-over-print Paisley hoodie from 2005. There's an unabridged version of this story in Bobby's book, but that sweatshirt sold so much, and sold out so quickly overnight, that we allocated all of those funds to building our first flagship retail store on the corner of Fairfax and Rosewood. The pattern was designed in 2004, on a lesser-remembered piece called the ""Bandana"" zip-up. Over the years, those clusters of buta droplets continued onto The Hundreds T-shirts, across cut-n-sew collections, New Era fitteds, and collaborations with artists. The Paisley print not only defined us, but greater streetwear, as it trickled down into the work of later brands and designers.